Bodacious Yoga Retreat
Yoga Contest Photographs
full schedule
The Yoga Photograph Contest Rules
1. HOW TO PARTICIPATE
The sponsor of this Contest is Six Senses Yoga Society.
No Purchase Necessary
1.1 Eligibility: The Six Senses Yoga Society 2009 Yoga in Nature Contest (the “Contest”) is open to all residents of Canada and the world who have reached the age of majority in their Province or country of residence, except are the employees and facilitators of Six Senses Yoga Society.
1.2 The Contest Period: Starting on 12:00 a.m., Pacific Time, 22nd April 2009 to 11:59 p.m., Pacific Time, 21st April, 2009, anyone may participate in the Contest by
The Contest:
To create and submit a Photograph representing Yoga in Nature in either one (1) or all of the Three (3) Categories: Each entry becomes the property of Six Senses Yoga Society. The categories for each Yoga in Nature Season are:
- Pregnancy
- Yoga Asana: couples, pregnancy, singles
- Nature Itself: animals, insects, landscape, plants, flowers, more
Your photograph in either or all categories is to represent nature (outdoors) and yoga; asana, philosophy, etc. All photographs need to be created through creativity and a camera only. No photo is to be altered from its original snap; no software altering or other forms of alteration will be accepted. In case of dispute a negative or the original digital file will be need to verify authentic images.
1.3 Contest Entry: Upon uploading a photograph completion and submission of the survey or by mailing in an entry (in accordance with section 3.9), eligible Customers will be entered into the Contest for one (1) chance to win (i.e. one entry) the Prize.
1.4 Contest Entries: Entrants can submit as many photographs as they wish for a fee of $2.99(CAD) each.
1.5 Awarding of Prize: The Prize will be awarded to the Customer whose contact information (name, telephone number or email address, address) has been given by the entrant at time of completion of the survey or indicated on the mail in entry and who has complied with these Rules.
2. PRIZE
2.1: The Contest is divided in four (4) seasons: spring, summer, autumn, and winter as indicated below. There are three (3) prizes awarded for each contest season as follows four (4) seasons with three (3) prizes each in total twelve (12) to be awarded during the Contest Year:
Spring Contest Open from March 21 to June 20
Summer Contest Open from June 21 to September 22
Autumn Contest Open from September 23 to December 21
Winter Contest Open from December 21 to March 20
- Contest Season Spring : on 12:00 a.m., Pacific, 21 of March 2009 through 11:59 p.m., Pacific, 20 of June 2009.
- Contest Season Summer : on 12:00 a.m., Pacific, 21 of June 2009 through 11:59 p.m., Pacific, 22 of September 2009.
- Contest Season Autumn : on 12:00 a.m., Pacific, 23 of September 2008 through 11:59 p.m., Pacific, 21 of December 2008.
- Contest Season Winter : on 12:00 a.m., Pacific, 22 of December 2009 through 11:59 p.m., Pacific, 20th of March 2010.
The Season’s prizes consist of one (1) $100(CAD) for each category for a total of three (3) prizes each season.
[The Cash prize may change in the future with sponsorship and/or higher entry participants.]
2.2 Prize: The Contest is divided in four (4) seasons: spring, summer, autumn, and winter as indicated below. There are three (3) prizes awarded for each contest season as follows four (4) seasons with three (3) prizes each in total twelve (12) to be awarded during the Contest Year:
Spring Contest Open from March 21 to June 20
Summer Contest Open from June 21 to September 22
Autumn Contest Open from September 23 to December 21
Winter Contest Open from December 21 to March 20
- Contest Season Spring : on 12:00 a.m., Pacific, 21 of March 2009 through 11:59 p.m., Pacific, 20 of June 2009.
- Contest Season Summer : on 12:00 a.m., Pacific, 21 of June 2009 through 11:59 p.m., Pacific, 22 of September 2009.
- Contest Season Autumn : on 12:00 a.m., Pacific, 23 of September 2008 through 11:59 p.m., Pacific, 21 of December 2008.
- Contest Season Winter : on 12:00 a.m., Pacific, 22 of December 2009 through 11:59 p.m., Pacific, 20th of March 2010.
2.3 Notification of Selection: The selected Winners will be contacted by phone or e-mail (using the contact information provided through on-line registration when entering our Contest) at least three (3) times within the seven (7) days after the judge’s selection. If the selected cannot be contacted, their prize will be considered a donation and kept in the SSYS land fund.
In order to win, the selected Customer must first correctly answer, unaided, a time-limited, mathematical, skill-testing question to be administered by telephone, and she or he will be required to sign a standard Declaration and Release Form confirming compliance with the Contest Rules, acceptance of the Prize as awarded and releasing Six Senses Yoga Society from all liability relating to the Contest. This consent form is available on-line.
No substitution for, or transfer of the Prize, will be allowed. The selected entrant will have seven (7) days from their initial notification of winning to electronically sign the Declaration and Release Form. If the selected Customer does not do so within this period of time, another Customer will be selected and the initial selected Customer will be disqualified and will have no recourse towards Six Senses Yoga Society or anyone involved in the Contest.
3. GENERAL RULES
3.1 Each Prize claim is subject to verification by Six Senses Yoga Society. Entries made with multiple addresses, under multiple identities, or through the use of any device or artifice to enter multiple times or entries that are in excess of the permitted number of entries during the Contest period are automatically void. All Contest entries obtained through unauthorized sources or which are incomplete, illegible, mutilated, altered, reproduced, forged, irregular or fraudulent in any way or otherwise not in compliance with these Rules are automatically void. Six Senses Yoga Society will be the sole and final reference source in validating a Prize claim.
3.2 By participating, each Participant and selected winner agrees: (a) to be bound by these Rules and the decisions of Six Senses Yoga Society, (b) to release and hold harmless Six Senses Yoga Society from any and all liability for claims/damages including, but not limited to, claims/damages for personal injury, for property damage with respect to acceptance, possession or use or misuse of the Prize or participation in the Contest; (c) to permit Six Senses Yoga Society to use his/her name, address, city, province, of residence, photograph, video, or any likeness for advertising or publicity purposes without any additional compensation and (d) the winner agrees to sign a Declaration and Release Form to this effect.
3.3 The decisions of Six Senses Yoga Society in relation to this Contest will be final and binding on all entrants.
3.4 Six Senses Yoga Society shall not be responsible for incorrect or inaccurate transcription or registration of Contest entry information, technical malfunctions, lost/delayed data transmission, omission, interruption, deletion, defect, faulty, incomplete, incomprehensible, or erased computer or network transmissions, line failures of any telephone network, failure of computer equipment, software, inability to access any online service or web site, inability to submit the online survey, or any other error or malfunction, or any injury or damage to entrant’s or any other person’s computer related to or resulting from participation or downloading any materials in this Contest, or for late, lost, stolen, postage due, illegible or misdirected entries.
3.5 Six Senses Yoga Society will not be responsible for lost, stolen, illegible or destroyed images due to error.
3.6 Six Senses Yoga Society reserves the right to cancel, terminate, or suspend this Contest, at its sole discretion, in the event of a technical failure, computer virus or bug, unauthorized human intervention, fraud or any other occurrence or cause beyond its control that corrupts or adversely affects the administration, security, fairness or normal operation of the Contest, subject, in Quebec, to the approval of the Régie des alcools, des courses et des jeux.
3.7 If a selected Participant is awarded the Prize due to a system error, malfunction or defect the Prize will be returned to the Prize pool, to be re-awarded.
3.8 Under no circumstances will Six Senses Yoga Society require anyone Participant be awarded more Prizes than what is indicated in these Rules or award the Prizes other than in accordance with these Rules.
3.9 No purchase is necessary. If a Participant wishes to mail in their photographs they are welcome to send each with a cheque or money order to 16001, 617 Belmont Street, New Westminster, B.C. V3M 6W6. All mail-in entries will bear the same judging as electronic entries.
3.10 The Contest is subject to all Federal, Provincial and local laws, as well as the rules adopted in view of said laws. The personal information provided to enter the Contest will be used only to administer the Contest, and for no other reason.
3.11 For Quebec residents, any litigation respecting the conduct or organization of a publicity contest may be submitted to the Régie des alcools, des courses et des jeux for a ruling. Any litigation respecting the awarding of a prize may be submitted to the Régie only for the purpose of helping the parties reach a settlement.
3.12 For a copy of the Contest Rules, please write to:
Six Senses Yoga Society
16001, 617 Belmont Street
New Westminster, B.C. V3M 6W6
Canada
The Yoga Photograph Contest
Six Senses Yoga Society’s seasonal photography contest.
Six Senses Yoga Photo contest is about letting the world know how you see the Seasons of our Natural World through the lens of a camera. We welcome photographs that represent Yoga through Nature and the Senses of the outdoors. The categories are wide open to represent the beauty of a ladybird/ladybug upside down on a thin tree branch to be yogic. Yoga is the appreciation of nature, and how we as humans relate to nature through our senses without dominating or changing, or altering the natural world.
Spring Dates
The season of Spring March 20 to June 20.
Share your photographs with us for the Spring Season of the Northern Hemisphere: Spring deadline is June 20. The Yoga Photograph Contest is open for the whole Season of Spring which means all photographs taken between March 20 and June 20 2009 are eligible for this contest. The contest closes at midnight of June 20, 2009. The winners will be chosen by the June 27, 2009. Spring begins with the Vernal Equinox: Mar. 20, 7:44 a.m. EDT (02:44 UT*), Sun enters sign of Aries; spring begins.
The dates of the contest are for the Northern Hemisphere seasons. If people from co-existing seasons in the Southern may wish to enter, Six Senses will love to have your photographs as well.
Participants
The Yoga Photograph Contest is open to all peoples of all ages, from all aspects of the world.
Six Senses Yoga Society staff, facilitators & their families are not eligible to participate as category winners. However, anyone associated with Six Senses Yoga may enter photographs for examples and use on the websites and promotional advertising.
Photographs
Photographs themselves are to be in their original form either from a negative or digital. We want to see natural world OUTDOORS, unaltered images with a creative unusual perspective, and/or angle in night or day.
Three Categories
1. Pregnancy & child (new born)
- Mum with child, family with child, the birth of child, and more
- This can also include non-human pregnancy and births
2. Yoga asana: couples, groups, pregnancy, singles
- All types of yoga asanas, pranayama with either couples which means 2, not necessarily womyn and man, groups of people, singles and more.
3. Natural world: animals, insects, landscape, plants, flowers, more
- This is the most open category, go wild, be free to explore to capture your natural world
None of the photographs are to be doctored, photo-shopped, worked with – all must be taken in the nature world, outdoors and simply a photograph.
All Received Photographs
All photographs received will be published on http://yogaphotographs.sixsensesyoga.com listed with the photographer’s credits.
Winning Photographers
The winning photographs will be published on the SixSenses.ca and all its’ sister websites [sixsensesyoga.co.uk, sixsensesyoga.eu, etc] along with the photographers credits.
Judges
All staff and facilitators of Six Senses Yoga Society will determine the winners in each category. We will choose one winner for each category, for each season. [When sponsorship for this contest comes along we will offer more winners in each category, seasonally.]
Following are the seasonal contest dates for 2009/2010
Spring Contest Open from March 21 to June 20
Summer Contest Open from June 21 to September 23
Autumn Contest Open from September 24 to December 20
Winter Contest Open from December 21 to March 20
General Seasons in Each Hemisphere
Northern Hemisphere |
|
Southern Hemisphere |
Spring: March to June |
|
Autumn: March to May |
Summer: July to September |
|
Winter: June to August |
Autumn: October to December |
|
Spring: September to November |
Winter: January to March |
|
Summer: December to February |
2009 Equinoxes
Vernal Equinox: Mar. 20, 7:44 a.m. EDT (02:44 UT*), Sun enters sign of Aries; spring begins.
Summer Solstice: June 21, 1:45 a.m. EDT (20:45 UT*), Sun enters sign of Cancer; summer begins.
Autumnal Equinox: Sept. 22, 5:18 a.m. EDT (12:18 UT*), Sun enters sign of Libra; fall begins.
Winter Solstice: Dec. 21, 12:47 p.m. EST (07:47 UT*), Sun enters sign of Capricorn; winter begins.
A Meal with Grace 2009 - January
Cold weather festivities are warm at heart
Belinda Williams’s suggested outdoor DIY menu
Canapés Apple chutney and foie gras brûlé tarts, smoked salmon on peppered pumpernickel with dill and caraway and parmesan twists. Serve with gluwein.
Starter Winter leaf salad with sautéed black pudding and scallop with orange and pink peppercorns. All pre-prepared on cold plates with just last minute sauté of black pudding and scallops over a gas flame.
Main course Slow cook a venison casserole at home then re-heat before serving. Pre-prepared mashed winter roots with caraway, cream and butter, beetroot and green beans can also be re-heated before serving.
Pudding Apple tartin or a pear tart with cinnamon cream and brambles with a hot fudge sauce would work. Just heat the sauce. http://www.yorkshireparty.co.uk
Venues Close to your home makes setting up and taking down easier. Consider vehicle access: you don’t want everyone getting stuck in a wet place. If you don’t have a tent, why not create a party on the same lines in a barn, or a garden shed or a garage?
Tents Bazaar Tents (http://www.bazaartents.co.uk ) are robust, and hard-wearing, ranging from 18x10ft (£795) to 26x14ft (£995)
How to keep warm A wood-burning stove: forget roaring space heaters or smelly bottled gas. Alan Wenham of Albion Canvas says: “For 14 years we’ve made tent stoves in steel, which range from a small one at £250 to larger ones with ovens and water heaters at around £600. Each which comes with a flue and a silicon flue-collar.” http://www.albioncanvas.co.uk
Power sources A gas ring is all you need but a wood-burning stove with hotplate and oven is the ultimate.
Drinks Gluwein is perfect for guests stepping in from the cold.
Flooring 8x4ft sheets of half-inch plywood laid on a wood frame is cheap and cheerful. Cover with old carpets.
Lighting Candles or oil lamps every time.
Fire precautions A fire extinguisher and two buckets of water should be on hand plus a first-aid kit.
A Meal with Grace 2009 October
http://cyclingin4x4country.wordpress.com/2008/12/26/faerie-festivals-2009/
3rd October 2009
Avalon Faery Art Exhibition
Glastonbury Town Hall, Glastonbury, Somerset, UK
Featuring some of the world’s leading faery artists! FREE ENTRY
01736 330201
http://www.thefaeryball.co.uk
3rd October 2009
The Avalon Faery Ball
Glastonbury Town Hall, Glastonbury, Somerset, UK. Tickets £15
Music with Daughters of Gaia & The Dolmen
01736 330201
http://www.thefaeryball.co.uk
23rd October 2009
The Faery Ball
Acorn Theatre, Parade St, Penzance, Cornwall, UK
Music with the Daughters of Gaia
01736 330201
http://www.thefaeryball.co.uk
24th October 2009
A Faery Feast (Veggie Buffet)
Archie Browns Cafe, Penzance, Cornwall, UK
01736 330201
http://www.loveandlight.co.uk
24th - 25th October 2009
Faery, Angel & Healing Fayre
St Johns Hall, Penzance, Cornwall, UK
01736 330201
http://www.loveandlight.co.uk
A Meal with Grace - June 2009
A Meal with Grace 2009 - May
A Meal with Grace 2009 - April
Zhene
It is our own MENTAL ATTITUDE which makes the world what it is for us. ‘’Our thoughts make things beautiful, our thoughts make things ugly. The whole world is in our own minds. learn to see things in the proper light.’’ Hindu Wisdom
Zhené teaches us at Six Senses Yoga to play hide’n seek during the fog, climb trees in the sun and to dance, dance with your friends, with your heart. ‘’Fall on your butt laughing and still get up laughing.’’
Teasingly her mother told her that when she turned 10 nature would give her webbed feet, she could choose to either have them removed or kept. Though most people chose to have them removed, this is why she saw few people with webbed feet. “Wow that’s so cool; I want to keep them so when I go swimming I wouldn’t need flippers. I could swim so much faster wow. I could be just like a duck. When she was told she was being teased, her response was “That’s alright, but it sure would have been cool!!”
Bradina
Adding to Bradina’s role as Practicum-Co-ordinator she takes on the role of Executive of Endeavours ensuring now that our website is developing well, queries as well as taking care of participants at our Yoga Trainings. She is most blissfully sitting in the midst of nature coming alive outdoors, so asking her to stay indoors she’ll run the other way.
Growing up in both Vancouver and just outside London, England embracing meditation, drawing and practicing yoga. Put her in the middle of friends and colleagues she shines, especially if thats in an English pub. Bradina uses her love of travell to pursue her love of cooking, on the path to becoming a pastry chef. Bradina is well versed in using spelt, rye, barley and other flours and dairy-free in her baking. As a complimentary aspect of her pastries, she is on her way to studying Natural Nutrition, which earns her a Certified Natural Nutritionist.
Jennifer
Born in Vancouver, Jennifer has lived most of her life alternating between the prairies of Alberta and the rainforest of the West Coast. Her interest in writing developed in high school where she wrote for her school’s newspaper and literary magazine and had several pieces published in a province-wide youth magazine.
She graduated in 1995 with B.A in History and English from Simon Fraser University and put her writing and editing talents to use in the corporate world editing technical and office documents for a variety of companies. In 2003 she began working in the disability issues community on youth related issues.
In her spare time, Jennifer volunteers with a local cat shelter, several historical organizations and participates in historical re-enactments. She currently lives with three feline yogis who are trying to teach her that perfect balance can be attained without the use of four paws and a tail.
Jennifer obtained her Fund Raising Certification & Diploma from BCIT in 2007. Six Senses Yoga is excited to learn she will use her experience to create our fabulous fundraiser in 2012.
Personal Yoga Practice Retreat
Retreat Includes
Three meals daily, snacks, tea,
accommodations - single or shared
Hatha Yoga
a yoga writing journal
Indian Head Massage
Manicure / Peticure
Registration is Open
before Sept 30, 2010 : $875
. . . and after Sept 30 : $975
[includes HST]
Contact Info
1 604 375 8586
smiles@sixsenses.ca
Pregnancy Yoga Intensive
Six Day Intensive Training in Pregnancy Yoga
Intensive is for Yoga Teachers and Yoga Enthusiasts.
Vegetarian Lunch and Tea included each day.
Expand your Yoga Teaching with Classical Yoga for Pregnancy. This Intensive explores Classical Healing and Experimental Yoga asanas, meditations, vocal toning & yoga nada, yoga nidra and pregnancy anatomy enabling participants to aid expectant mums in having the most natural, comfortable pregnancy and child birth. Some parter yoga will also be introduced.
In this Intensive understand the effects of how creating life effects the female body, emotions, and hormones. Work with pranayama, asana and meditation to ease, release and correct common and more specific discomforts of pain and postural changes.
Specifically we’ll work on sciatica, shortness of breath, back pain, pelvis and general discomfort as the baby grows. Learn how to ease childbirth with specialized techniques for delivery and post-delivery recovery. Dispel the myths about the physical and the emotional woman during pregnancy and childbirth.
SSY’s Pregnancy Yoga Intensive integrates nature and the senses into the practice of pregnancy yoga classes and one to one sessions.
Open Hearts ~ Open Minds ~ Open Living
Participants
This intensive is open to Yoga Teachers and those in the Healing Fields: midwives, nurses, massage therapist and more.
Certificate
Certified Training Intensive with intensive manual for each participant. When all aspects of the Intensive are completed, the participants earn 100 Yoga Hours.
Registration
Registration is Open for all Intensives
London, UK October 5 - 10
. . . Early Bird before August 30 : £719
. . . Afterwards : £799
Halifax, NS November 9 - 14
. . . Early Bird before September 30 : $899
. . . Afterwards : $1,050
Healing Insights Yoga Intensive
Six Day Intensive Training in Yoga Healing
Yoga Intensive for Yoga Teachers and Enthusiasts
Lunch and Tea included Daily
Yoga by the mere practice is to balance and heal the body, mind and our spirits. In this 6 day intensive encapsulate the balance between a practice of yoga, with the intent to heal the body, yourself and your students. Tap into your own intuition to discern what and where you need to heal, bringing stillness to the moment; emotional and intellectual as well as spiritual connections with your inner balance.
Just as Patanjali says in his Yoga Sutra there are as many Asanas as there are living creatures on earth, so are there as many subtle differences, and layers, complexities to each person. Develop the integration between knowing yourself and knowing how your students can heal themselves through the mindfulness of Yoga; asana; classical and experimental with nidra, nada, vocal toning and more.
Through the Intensive learn, understand and feel how subtle adjustments and simple asanas to more complex asanas aid in healing and maintaining your own health and/or issues giving you personal insights as a teacher for your students either in class or one-to-one. Two days are spent on the spine exclusively as the spine affects the whole body, wellbeing, moods, and mobility: such as back and neck weakness, pain, disc alignment, posture, injury, and scoliosis.
During the Intensive learn how to use pranayama to ignite the healing mechanisms of the body/mind to elevate individual and common health issues as anxiety, asthma, low blood pressure, holding the jaw (tight muscle holding) to more complex issues as spinal challenges, chronic pain, and organ function. We also work on the importance of organ, joint and sciatica health through asana, pranayama and touch.
SSYS’s Healing Insights Yoga Intensive integrates nature and the senses into each intensive enabling participants a richer, more enlightened yoga practice.
Open Hearts ~ Open Minds ~ Open Living
Participants
Certified Training Intensive including manual for each participant. When all aspects of the Intensive are completed, the participants earn 90 Yoga Hours.
Certificate
This intensive is open to Yoga Teachers, Yoga Practitioners of a minimum of a year’s practice and those in the Healing Fields: midwives, nurses, massage therapist and more.
This course may also be known as ‘Yoga Therapy’
Registration
Registration is Open for all Intensives
London, UK October 19 - 24
. . . Early Bird before August 30 : £719
. . . Afterwards : £799
Halifax, NS November 23 - 28
. . . Early Bird before September 30 : $899
. . . Afterwards : $1,050
Develop a Personal Practice JAMAICA - May 4 to 10, 2010 - [after July 1] - FULL PAYMENT
Develop a Personal Practice JAMAICA - May 4 to 10, 2010 - [before July 1] - FULL PAYMENT
Develop a Personal Practice JAMAICA - May 4 to 10, 2009
A Meal With Grace
Winter January 2009
A WINTER WEDDING.
Everyone knew we were heading for snow.
Lowering banks of menacing clouds trying
To threaten cold wedding guests told us so.
You and I cuddled close. I was crying.
After a night of passionate rapture
You would be gone. Yet these moments were ours
My body, heart, mind and soul you captured,
Snowbound, we then bound ourselves to love’s vows.
Your presence has stayed, “thou war took your life.
It shines in your son, and comforts your wife.”
- Dedicated to War Veterans, by Fay Slimm
EDEN PROJECT

Here you will find crops, landscapes and wild plants which reflect the amazing diversity of our planet. There’s also internationally famous architecture and art which draws inspiration from nature; and a stage on which people working to make our world a better place can tell their stories.
The Moon Cycle for January
First Quarter: Sunday 4 of January 11:55
Full Moon: Sunday 11 of January 03:37
Last Quarter: 18 of January 02:36
New Moon: 26 of January 07:55
The 1st of the Year in the Zodiac
Although we are use to our year beginning on January 1, it was only in the middle of the eighteenth century that it was decided that the year should begin then. Before then December 25 began the year, and after the Conquest of the Normans, March 25 became New Year’s Day. It was this way until 1752. The first sign of the zodiac, Aries, was placed at the beginning of the year from the spring equinox, March 21. The others were assigned accordingly as shown below. Each sign was given characteristics of its own.
The dates assigned to the signs of the zodiac are as follows, although different “astrologers” assign slightly different dates, the ones who use the constellations use significantly different dates. The table below gives the dates and the most usual variations of each sign. The approximate dates between which the sun appears in the constellation each year are shown. Neither the signs nor the constellations change places at exactly midnight sharp GMT on the dates given below, so at the beginning or end of each period you may see a variation of up to a day.
An individual born into the main portion of any of the periods below, can say with safety that they are a Gemini or a Leo, etc. But if your nativity took place on one of the borderline dates (know as a “cusp") you will need to know the exact time and latitude/longitude of the event to be certain which is your exact Sun sign (as it is called).
Source:Zodiac
The festivals of January
MENU
A JanuaryMeal
MULLED CIDER WITH ROASTED APPLES
by Fiona Beckett
My favourite Winter drink - popular with everyone. Use a good quality dry cider not a modern ‘white’ cider or draught cider which can be too strong
Makes 12-14 servings
Ingredients
1 litre premium English cider
250ml Somerset cider brandy or calvados
1.5 litres cloudy English apple juice
A thinly pared strip of lemon rind
2 sticks of cinnamon
8 cloves
For the roasted apples
10-12 small Cox’s apples
About 75g light muscovado sugar
100ml premium English cider
Method
Preheat the oven to 190C/375F/Gas 5. Wash and core the apples and score them around their middles. Put them in a baking dish and stuff the centre of each with the sugar. (It’s easiest to do this with the handle of a spoon or fork). Splash over the cider and roast in the oven until soft and beginning to split (45-50 minutes).
Meanwhile put the cider, cider brandy or calvados, and apple juice in a large pan, together with the lemon zest, cinnamon and cloves. Heat through gently then leave over a very low heat until the apples are cooked without allowing the mixture to boil. When the apples are ready, tip them and their juices into the mulled cider. Taste, adding a little extra sugar if you think it needs it. Serve straight from the pan into heat resistant glasses or cups or transfer to a warmed bowl.
Source: BBC
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2010 - [before July 1] - FULL PAYMENT
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2010 - [after July 1] - FULL PAYMENT
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2010 - [after July 1] - FULL PAYMENT
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2010 - [after July 1] - FULL PAYMENT
Yoga Healing Insights Retreat PORTUGAL - May 17 to 23, 2010 - [before Feb 1] - FULL PAYMENT
Yoga Healing Insights Retreat PORTUGAL - May 17 to 23, 2010 - [after Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive LONDON, UK - May 3 to 9, 2010 - [after Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive LONDON, UK - May 3 to 9, 2010 - [before Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive IRELAND - April 19 to 25, 2010 - [after Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive IRELAND - April 19 to 25, 2010 - [before Feb 1] - FULL PAYMENT
Develop a Personal Practice Retreat VANCOUVER, CANADA – Feb 15 to 21, 2010 - [after Oct 1] - FULL
Develop a Personal Practice Retreat VANCOUVER, CANADA – Feb 15 to 21, 2010 - [before Oct 1] - FUL
Yoga Pregnancy Intensive FUKUOKA, JAPAN - January 11 to 17, 2010 - [before Sept 1] - FULL PAYMENT
Yoga Pregnancy Intensive FUKUOKA, JAPAN - January 11 to 17, 2010 - [after Sept 1] - FULL PAYMENT
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2009 - [after July 1] - FULL PAYMENT
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2009 - [before July 1] - FULL PAYMENT
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2009 - [after July 1] - FULL PAYMENT
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2009 - [before July 1] - FULL PAYMENT
Yoga Healing Insights Intensive LONDON, UK - April 20 to 26, 2009 - [after Feb 1] - FULL PAYMENT
Yoga Healing Insights Intensive LONDON, UK - April 20 to 26, 2009 - [before Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive LONDON, UK - March 23 to 29, 2009 - [after Feb 1] - FULL PAYMENT
Yoga Pregnancy Intensive LONDON, UK - March 23 to 29, 2009 - [before Feb 1] - FULL PAYMENT
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2010
Yoga Healing Insights Retreat PORTUGAL - May 17 to 23, 2010
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2010
Yoga Pregnancy Intensive LONDON, UK - May 3 to 9, 2010
Yoga Pregnancy Intensive IRELAND - April 19 to 25, 2010
Develop a Personal Practice Retreat VANCOUVER, CANADA – Feb 15 to 21, 2010
Yoga Pregnancy Intensive FUKUOKA, JAPAN - January 11 to 17, 2010
Yoga Healing Insights Intensive KERALA, INDIA - Nov 2 to 8, 2009
Develop a Personal Practice KERALA, INDIA - Nov 9 to 15, 2009
Yoga Healing Insights Intensive LONDON, UK - April 20 to 26, 2009
Yoga Pregnancy Intensive LONDON, UK - May 4 to 10, 2009
Course Deposit 2009/10 in CAD
Course Deposit 2009/10 in Euro
Muladhara Chakra
Muladhara Chakra
When we speak about Maladhara Chakra we speak about something employed by Alternative Medicine practitioners or philosophies of esoteric studies of the chakras. Chakrology is in fact a neologism that indicates this field of alternative studies. This area has different chakrologies: some are based upon ancient Indian Tantric traditions. There are also New Age interpretations or western occult analysis, and ancient Greek and christian references. New Age is an alternative culture combining different aspects of spiritual practices from across the world and characterized by an eclectic and individual approach to spirituality.
The movement began after 1950s and was referenced to the coming astrological Age of Aquarius. Diverse individuals had New Age ideas, so the term may be applicable as a label by outsiders to whom do consider themselves inclined towards its world view. The New Age movements have tracks of older spiritual and religious traditions from the worldwide culture.
Anyway there are a lot of models of the chakra system of the human energetic body. The body mind is a system, refer system theory and no chakra is supreme. It works together with the other chakra. And they are in relation with each other. The dialog model shows Ayurvedic Medicine in view with the energetic interplay of the chakra. The religion of the Hinduism consider the chakra as a part of a complex group of ideas related to esoteric anatomy. The text that deals about that are called Agamas or Tantras. It is a large body of scripture, most of which is rejected by the official orthodox Brahmans. Hinduism is a religious tradition originated in the India. It is often referred to Sanatana Dharma by its practitioners. It is the world’s oldest major religion that is still practiced, and their first origins may be found in the Vedic civilization. Different beliefs and religions are at the basis of the Hinduism, that has no a single founder. The Vedi period, also called the Vedic Age, is a period of the history of India where the oldest sacred texts of Hinduism, the Vedas, were being composed. Scholars place the Vedic period in the last 8,000 years of our history, based on litiraly evidence.
The associated culture, sometimes referred to as Vedic Civilization, was originary of the north and north west of the Indian subcontinent. It is important in our history, to consider the Sanskrit term Chakra, meaning circle or wheel; there is a wide literature about philosophical systems and spiritual energy practices, religious observance and personal discipline. Theories on chakra claims about systems that link the human body and mind in a single unit, sometimes known as the body mind. The philosophical theories are models of chackra as centers of energy were first codified in Ancient India.
To explain you what is a chakra I would say it is a center of activity that receives and assimilates life force energy. Chakra are described as energy centers in the spine located at certain points of the human nervous system. They begin at the base of the spinal column and move to the top of the skull. These chakras are considered to be a point of nexus of biophysical energy of the human body. In the Sanskrit sources the word chakra is used to mean several different things, such as a circle. The word circle is used in a variety of meanings, symbolizing endless rotation of shakti, or a circle of people. The term chakra is used to denote yantras or mystic diagrams. About the concept of chakra there are many variations on these concepts in Sanskrit source texts. In earlier texts there are various system of chakra along the body’s axis became widely popular. It is in this model where Kundalini is said to rise upward, piercing the various center until reaching the crown of the head, resulting in union with the Divine. According to tantric theories, chakras are described in the ancient tantric texts, where they are described as emanations of consciousness from Brahman, an energy emanating from the spiritual which gradually turns concrete, and which eventually finds its rest in the Luladhara chakra. They are part of a theory in which are described emanations of consciousness. It is described as an energy emanating from the spiritual which gradually turns concrete, creating these distinct levels of chakras and finds its rest in the Muladhara chakra. According to buddhist teacher Tarthang Tulku, the heart chakra is very important for the feeling of existential fulfillment. When the heart chakra is agitated, people lose touch with feelings and sensations, and that breeds the sense of dissatisfaction. That leads to looking outside to fulfillment.
According to the Himalayan Bonpo tradition, chakras are pranic center of the body. These influence the quality of experience, for movement of prana can not be separated from experience. Each of six major chakra are linked to experiential qualities by the file shape experience. Prana is a Sanskrit word that refers to a life sustaining force of living beings and vital energy in the natural process of the universe. Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. When prana do enters into a period of uplifted activity, the Yogic tradition refers to it as Pranotthana. Prana was first expounded in the Upanishads, where it is part of the worldly realm, sustaining the body and also the mind. The popular understanding of prana as being the same as air is a simplification of the concept. The incorrect assumption that prana is respiratory air arise from the popular understanding of the practice of pranayama, in which the control of prana is achieved from the control of one’s breathing.
Traditional chinese medicine also relies upon a similar model of the human body as an energy system, except that it involves the circulation of qi energy. In the circuit of qi, called the Microcosmic orbit, energy also comes back down to the front torso channel. This is the same of the nadis of Hatha yoga, and enters the tan tiens: when it returns to the heart further contemplation or union deity develops. In Macro cosmic orbit the qi is also guided through the main channels in the limbs.
Sahasrara or the crown chakra is considered to be the chakra of consciousness. Its role may be somewhat similar to that of the pituitary gland, which secretes hormones to communicate to the rest of endocrine system and also connects top the central nervous system via the hypothalamus. The thalamus is thought to have a key role in the physical basis of consciousness. The pineal gland is a light sensitive gland that produce the hormone melatonin which regulates sleep and awakening.
© 2008 Six Senses Yoga Society
Manipura Chakra: Governs sense of sight
Manipura Chakra: Governs sense of sight
The chakra that is the fire center is indeed the chakra manipura. So called and meaning “city of jewels” it is the focal point of heat, it is shining like a jewel and it is radiant with energy and vitality. This chakra is showed as a bright yellow lotus with ten petals upon which are written letters. These letters are darn, dharn, narn, tarn, tharn, dam, dharn, narn, pam, pharn. All these letters are written on the ten petals of the lotus. There is a red triangle within the lotus. The red triangle contains the bija mantra rarn sitting on a ram. This is a very aggressive beast and symbol of the element fire. The deities are Rudra.
Rudra is a destroyer of the universe and the goddess Lakini that is the control of the flesh element. As you might know the sola plexus is the center, and it is connected with the vital process of digestion of the food. What is true is that gastric glands, such as the pancreas and the glands in the stomach, has the function of producing a secretion of enzymes, acids and juices which are necessary for the digestion of food. So, the center that controls all these activities is indeed the chakra manipura.
The adrenal glands, situated near the kidney are really a manifestation of manipura. Adrenal glands secrete adrenaline into the body, when it is necessary. This effect speeds up the physiological processes. When this happens, then the heart beats faster and the respiration rate gets more rapid. In the normal state of being awake, the body is prepared to do a faster activity. This action is called ‘fight or flight’ reaction. People who suffers from depression or from problems to the digestive system, should concentrate on manipura chakra. They should try to feel an energy radiating from this region of the body.
Manipura chakra into schools such as Zen Buddhism is the most important center and is said that is the seat of kundalini, that passes through manipura, and is revealed more in true light. The chakra manipura is the center of vitality in the physical body where the prana and the apana meet. The prana is the upward moving vitality while the apana is the downward moving vitality. When they meet, they generate the heat that is necessary to support life.
The presiding deity of this chakra is Bradda Rudra. This chakra represents the power of destruction, and it was said that all that exists, returns to him. He has a blue and a silver beard and is represented sitting in his wrathful form on a golden tiger skyn. This is the symbol of the tiger, of the mind that dwells in the forest of desires, smeared with ashes. Indeed the tiger do represent the mind, which name is manas. Lakini Shakti is the name of the energy generated by him. Lakini Shakti has a four armed and three faced aspect.
In one of the four hands she holds the thunderbolt, or vajra. Instead, in her second hand, she holds the arrow that is shot from the bow of Kama. Kama, is said, is the Lord of Sex, in the second chakra. Her third hand holds fire. With the fourth hand Lakini Shakti forms the so called hand gesture of granting boons and dispelling fear, that, in our language, is called mudra.
Do you know which is the animal related to the chakra? It is the ram, vehicle of the fire god Agni.
The third chakra is called the Igneous Plexus. It is also called the sola plexus chakra and it is associated with the color yellow. This is a part where our ‘self esteem’ is defined, and the personality that develops during the age of the puberty always is hosted in this third chakra. It is moreover known as the Ego. Anyone whom could experience dysfunction of the third chakra is someone whom has difficulties maintaining his or her so called ‘personal power’. This is an intuitive chakra and it is where we get our ‘gut instincts’ that is our signal to do or not to do some action.A Strong self esteem in necessary for developing intuitive skills. The word manipura comes form Sanskrit and the literary translation from the original language is Lustrous Gem. I say the symbol is the circle and the number of petals around is just ten. The location is indeed the solar plexus, as I said before. There is a model for this chakra: it is the power and will and action is the state, while the action is just I Act.
As a summary I may say that the solar plexus chakra, that is called Manipura, is known as the power chakra, driving for control, with a competence and success to fortify the ego.
The colour I say, is black or yellow and the mantra sound is pronunced RAM/DA. The sense of this chakra is the sense of sight, its aromas are bergamot, rosemary and lavender. The element is the fire, for sure, and the power is the power of will.
The association of this third chakra is Self confidence and self respect. It is also Self esteem and strong will. The related body parties are stomach, skin, intestines and liver, while the endocrine glands are situated into the pancreas and into the liver. The possible physical symptoms are a bad digestion, the indifference and the stress, and plus the need for power.
The achieved state is being and the best therapy for this chakra is belly dancing and conscious breathing. If you want to know some exercise to do daily, I could suggest you what follows, that is to take a chest opening poses such as the cobra, the bow, the cat. The natural experiences for this third chakra are sunlight and sunflowers.The god of this chakra are Ares, Bel, Dionysus and Mars, while the goddesses are Athena, Lakini and Bride.
© 2008 Six Senses Yoga Society
Ajna
Ajna
According to the Hindu tradition, the word Ajna, from the Sanskrit Ajn, means command and is the sixth primary chakra. The Ajna chakra is set at the eyebrow region and it has only two petals; representing the psychic channels called Ida and Pingala. These meet here with the central Shushumna channel, thus before rising to the crown chakra, called sahasrara. On the left hand petal there is the letter ‘ham’, and on the right side the letter ‘ksham’. These two letters represent the bija mantras for Shiva and Shakti, in the order.
In short, the chakra of the mind is Ajna. When you see something in the mind’s eye, or in a dream, what you see is just seen by the third eye, which is called Ajna. The deity Ardhanarishvara is a hermaphrodite form of Shiva-Shakti and it resides in the chakra. It symbolizes the primordial duality of object and subject. The deity Hakini Shakti is also associated with this chakra.
As mentioned earlier, Ajna is considered the chakra of the mind. Lets further dig deep into this. The complete phrase ‘mind’s eye’ refers to the ability of the human race for visual perception, imagination, visualization and memory. In other words just the ability ‘to see’ things with the mind. The biological foundation of the mind’s eye is not completely understood by discepolos.
Recently studies have shown that the lateral geniculate nucleus and the V1 area of the visual cortex are activated while mental imagery task. It was said that the visual pathway is not just as a one-way street. Higher areas of the brain can also send visual input to the neurons in lower areas of the visual cortex. We have the ability to see with the mind’s eye, just to say to have a perceptual experience in the absence of visual input.
As an example, PET scans have shown that when subject, seated in a room, imagine they are at their front door, starting to walk either to the left or right, activation begins in the visual association cortex, the parietal cortex, and the prefrontal cortex. All higher cognitive process centers of the brain. Not all the humans have this ability. With eyes closed, some humans report that they can visualize detailed scenery that is not just a memory. Users of hallucinogenic drugs report seeing images with eyes closed, however the imagea are random and difficult to control. Moreover these images may interfere with normal consciousness.
The sixth chakra is located at the level of the forehead. It is known, as the third eye, or the ‘mind’s eye’. A lotus with just two petals, seen as a deep indigo blue. This is the center of visual and intuitive perception, that is indeed the place where men store their memories, where they perceive their dreams, and moreover where they imagine the future. The word Ajna means, ‘to command’. Just to add to its meaning, I would say it also means ‘to perceive’.
Just as words are used to shape the world, so do the imagines we hold in our minds really influence our lives.What we perceive and remember is also what we command. Nits element is light, a higher vibration that the one of sound, the most versatile of any element we have encountered thus far. Communicating across distant events that happened and ceased to exist thousands years ago, light in all its splendor allow us to perceive the world in a infinite display of patterns. So, when we view the world we have to remember that it is not objects we see. But they are reflected light.
The Ajna chakra, in true, relates to the pineal gland, the pineal begins as an actual third eye and later degenerates. It has been showed that the pineal gland is sensitive to light, even when optical nerves have been cut. It is believed to play a part in producing the internal visions that sometimes comes into our minds. These are the one we perceive and the ones we create. This large visual screen can be used consciously to call images at will and bring us information unavailable through other means. It is my firm belief that physic perception is something that everyone has and uses largely, whatever or not they are aware of it. It is quite important to validate these subtle physic perception that float through our minds each normal day.
Opening psychic perception is widely a function of learning to recognize patterns and creating an internal visual language with which to interpret them. If you see someone has done something in the past, now chances are likely it will happen again. As we climb high and high in the upper chakras, we approach a sense of divine order, and perception of that order allows us to fill in the blanks and perceive, like light waves, that which is actually at a distance, temporally and spatially. Outside of our imagination the image that rules us are a major factor in mass consciousness. Television and other visul media feed into our consciousness on a whole brain level.
To clear the chakra, we have to get away from the images of what we expect to see and begin to experience the world within the freshness of a child. And we discover an exciting world of patterns and colours unlike anything in the physical realm. Any chakras is connected with a different colour, and though the system has changed from the ancient Tantrics to modern associations, the most popular pattern is the rainbow spectrum. Red light has the longest and slowest wavelength, so it is associated with chakra 1, and the chakras proceed in rainbow order to the violet at the crown. An exercise to develop the visualization capacity of your third eye, while simultaneously helping to balance all your chakras, is to focus on each one of your chakras, filling that part of your body with the right colour of light. So, begin at the bottom or at the top, but always do proceed in order, and remember to take time with each chakra to completely feel the effects.
© 2008 Six Senses Yoga Society
The Fifth Chakra
The Fifth Chakra
by Roshni Khanna
Each human is filled with universe’s free flowing energy. The essence of our being, our conscious and our soul flows through this very fabric. The energy flows through our body, caresses the soul and then strikes a cord which we express in the form of our emotional expressions. There are however times when this energy tends to become stagnant or sometimes even gets blocked either outside our body or within our body. This leads to an imbalance in the body and the associated emotions. In ancient Hindu literature and Yogic text, this is referred to as a disease. This is signified by the inability of a body to allow the free flow of energy within itself. This imbalance is the source of all ailments that a human body can experience. The Chakras, as mentioned in the Vedas are closely associated with the energy flow within the body.
We can visualize the flow of energy within the body as the flow of a stream. In case there is an obstacle in the stream’s flow, it tends to make the flow restricted and the water is forced to deviate. When we compare the same to the flow of energy, an imbalance acts as an obstacle. The human body is full of expressions. The Fifth Chakra or the Visuddha in Sanskrit is the Chakra associated with the expressions of the human body as it experiences life.
It is also associated with thoughts and feelings generated within us and finally with the capability of communication. The Fifth Chakra is located in the throat region and the element associated with this Chakra is that of Sound.
The ailments that are associated with an imbalanced Fifth Chakra are tonsillitis, choking and thyroid related ailments. The energy centre of this Chakra is located opposite the 7th Cervical Vertebra, within the hollow of the throat. A feeling of vulnerability and over exposure is experienced when the body suffers from an ailment related to the Visuddha.
It is recommended that warm honey with some amount of herbs like mullathi or green cinnamon be taken periodically. Breathing exercises are also advised and so is exercise of the neck.
© 2008 Six Senses Yoga Society
The Fourth Chakra
The Fourth Chakra
by Roshni Khanna
Chakras- the energy vortexes in the human body are where the nadis intersect. As per ancient Hindu teachings and those found in writings by sages and rishis, the Chakras hold the key to the link between the subconscious and the physical entity of human beings. Hindu teachings state there are seven chakras in the human body located along the spine and starting from just above the head and down to the lower spine. Each chakra is associated with a set of glands and corresponding emotions which a human experiences.
Amongst the seven chakras, the fourth chakra is located around the centre of the human body. The fourth chakra, called Anahata in Sanskrit is located between the breasts, underneath the sternum. This is also called the “heart chakra” and it is said to affect the organs in the chest, lungs and the breast. This chakra is associated with giving love, nurturance, empathy, and compassion. People suffering from misgivings about small issues, lack of compassion, and a lack of empathy for others’ problems are treated using asanas to activate the fourth chakra. A small example can be taken about a person working in an office who is in the HR department. He has been entrusted with the duties of keeping people in the office happy and satisfied.
He works diligently to make people happy and in the bargain worries if he is doing his job well. The sense of not doing the job well makes his day miserable. Even if a small incident occurs, he tends to lose sleep. In the bargain his health begins to fail. He begins to suffer from heart aches, low blood pressure and a general feeling of tiredness and depression.
In order to treat the individual, it is recommended that he be given dietary supplements to improve his immune system. He is also advised to take therapy. The requirement is to activate the fourth chakra and control the emotions to the limit required. The person should learn to say NO and also take things easy. When the feeling of depression sets in, it is an indication that the oxygen flow to the chest and the heart is low and the person should do some amount of heart opening exercise. The need is to pump more energy into the heart and this is possible through additional oxygen. The feeling of openness and expansion will do the person loads of good and he can start to se changes in his life.
© 2008 Six Senses Yoga Society
Chakras in the Buddhist Paradigm
Chakras in the Buddhist Paradigm
by Roshni Khanna
The Buddhist religion was recently witness to a landmark event that could mark a watershed in the Dharma Teachings. The induction of B-N teaching and traditions, as the fifth principle of Tibetan Buddhist Spiritual School, has great significance for the concept of the Chakras and its interpretation in the Buddhist culture. The B-N tradition, supposed to be established by Tonpa Shenrab Miwoche, also has a strong similarity to the concept of mind-body synergy through the existence of prana as described in ancient Indian literature. Some scholars have made a comparative analysis of the Buddhist religion to that of the B-N.
B-N is based on the existence of five elemental processes i.e. Earth, Water, Fire, Air and Space. It is considered the essential pre-requisite for the existence of all external, internal and secret energetic forces of nature. These five elements are related to all the energy existing in the world. Earth is solidarity, water is cohesion, fire is temperature, air is motion and space is the spatial dimension. These elements are correlated to the different emotions, temperament, directions, moods, thinking styles and character. It is here that the concept of B-N begins to become akin to that of the Chakras. In B-N, there is the description of the five primary pranas or vital energies. These energies are associated to the mental state and the physical well being of the body.
As per B-N teaching, the movement of pranas is associated with all experiences a human undergoes. It is claimed that movement of pranas cannot be separated form the experience of any human. Each of the six major Chakras, (it is assumed that there are six major chakras) are linked to the six stages of existence of a human. An interesting comparison is made by a modern B-N teacher where he compares the computer to the human body. He states that the main chakras are like hard drives. The drive has many files stored in it. One file in each hard drive is always open and the open hard drive governs the state of the particular chakra. The file which is open shapes the experience of the human at that point in time. The Chakra can be open using Yogic practices and the opening of the chakra leads to permanent bliss.
It is claimed that proper practice of this form of teaching coupled with tantric and yogic teachings can transform all our experiences into bliss. The teachings are akin to those found in other interpretation of the Chakras, the expressions are slightly different though.
© 2008 Six Senses Yoga Society
Yoga, Chakra and its Interpretation
Yoga, Chakra and its Interpretation
by Roshni Khanna
From the beginning of civilization, when organic life began to manifest itself on earth, it has been a constant endeavor of all living forms to reach higher levels of consciousness. From the simplest forms like the single celled organisms to the most complex ones like the human species there has been an endeavor to grow from a nascent state of awareness, restricted to survival, reproduction and replication of self to the most sophisticated thought structures and cultural life-styles represented by the human race. This pattern of growth is what that has come to be known as evolution.
It is an amazing fact that as early as in the 2nd and 3rd century B.C the ancient Indian civilization had reached the pinnacle of growth in its pursuit of “truth” and “reality”, not as it is apparent but as it actually is. There was a realization that man is much more than his or her physical body or entity; that he can comprehend; a fact that the western world and modern science have only today begun to understands. It was believed that man, in his elemental state is also energy and that his dynamic state of being is a manifestation of that same energy that the cosmos is made of. It was thus possible to gain a complete understanding of the entire universe, through the study of his body and its intricacies. This could be achieved by the in-depth study of the science of Yoga.
Seen in this light, Yoga is a Sanskrit term; the coming-together or the union of the smaller parts in order to attain the whole. It was believed that man, in his present state is fragmented in his being and thinking. His understanding of himself and the universe is limited and the the ultimate aim was to gain complete knowledge of himself, his life and the purpose of his life. In other words Yoga is the practice of a complete system devised by the stalwarts of that age through which man could gain complete understanding of not only his own body but also that of the environment around him in order to live a life to the fullest potential. Thus, the science of yoga is a legacy left behind by our ancestral race to the benefit of entire mankind because it has stood the test of time and has the same relevance and application even to this day.
No doubt, science has helped the advancement of the material world but has little to contribute to its spiritual advancement, whereas the science of yoga, by its holistic approach, promotes all round growth and advancement. How can this be achieved? This can be achieved by a complete understanding of yoga and its constant and systemic practice in the form of not only prescribed physical exercises but also mental discipline. In this sense, yoga would also mean an effort or as it is known in Sanskrit, a sadhana by its practitioner in achieving the ultimate goal or purpose of life, which is to understand truth in all its totality and live a holistic state of existence in the body, mind as well as the spirit.
Chakra-Yoga is a complete and a highly developed system of this science of yoga which, when practiced, enables a human to reach a higher state and be able to maintain a complete balance between his body, mind and spirit which would be a prerequisite to his eternal quest in the pursuit of excellence. As with any ancient science, a number of theories abound regarding the origin, forms and varieties often Chakra Yoga. The most accepted form is though the seven Chakra format which was propounded by ancient sages and which also finds mention in Vedic literature of ancient Indian origin. As per the Vedas, human can exist in a higher state of consciousness if he or she can invigorate the chakras in the body. The chakras have also been associated with the physical well being of the human body. The Chakras have been associated with the endocrinal glands and a number of common, and not so common, ailments which a human can suffers from are know to be treated by activating the chakra concerning the same. It is believed that the Chakras are located along the spine in the human body and they are formed where the energy fields or the centers of energy exist. The lowermost chakra or the Muladhara is the root chakra which is associated with the earth. Each Charka has an analogy to the asanas and symbols. These include the Cobra for the second Chakra, The Bow for the third, the Camel for the fourth and the Fish for the fifth. The sixth Chakra is associated with the figure of the seated man and the seventh or the divine chakra is associated with the meditation pose.
It is believed that the electromechanical energies and the related frequencies hold the key to Chakra activation. Each chakra is said to be associated with a fundamental frequency which if used to resonate with the body assists that Chakra to get invigorated. If the chakra is in resonance with the body frequency, then the body is health and free f all ills. If the body gets out of synch, ailments related to the chakra organs begin to form. If the human body comes in synch with nature and its surroundings and the frequencies meet, it is said that the body meets the divine. Thus, to lead a meaningful, health and purposeful life it is necessary to understand the meaning of the chakras and balance them with the surroundings.
© 2008 Six Senses Yoga Society
Chakras and Health: A New Perspective
Chakras and Health: A New Perspective
by Roshni Khanna
Health concerns abound in the western world today. A number of Eastern therapies and life improvement systems like Yoga and Ayurveda are gaining acceptance in the mainstream of western living. A major factor in the success story of these life improvement systems and therapies is that they address the root cause of the ailment rather than the symptoms. These therapies take the route of prevention rather than just treating a problem. The pace of life coupled with the pressures of work and social obligations are making a simple life very complicated today. The lack of quality time available to people today coupled with self induced peer pressure is directly affecting the health index of the society. Although, the life span of individuals is increasing, and this can be attributed to improved life support system and medical sciences, the health and happiness index has not improved correspondingly. The increased longevity of people is not resulting in an increased and improved life style. There is an urgent requirement for us to look back and reconsider what is going wrong. With our health, our system and our lives.
Yogic literature and practices which have stood the test of time, have mentioned solutions to the problems which we face today. Human are not new to stress. Social scientists have always maintained that some amount of stress in life is actually beneficial to the body and mind. It keeps the body mechanism oiled and functioning optimally. Problems arise when the stress level is continuously experienced and there is no exhaust system in the body to let go off the tensions. Yoga and an understanding of the working mechanism come to our rescue. Yoga, through the medium of Asana and Mudras, is a holistic system that addresses the overall development of the body. An understanding of the body and its energy sources coupled with the correct Yogic postures make our body-mind rhythm in synch. There are a host of articles and websites on Yoga and a scan through any search engine leads us to the false understanding that Yoga is all about some exercises and breathing (not well illustrated though!!). What most writers miss out is that yoga relates to the understanding the human body and it is not just about the exercises. One of the deepest and most significant aspect of Yoga is the understanding of Chakras. Chakras are the energy vortexes of the human body, totaling seven in all.
We shall address the aspect of Chakras through the example of stress release in the human body. Most modern day medical therapies are symptotic in nature and believe in curing symptoms of an ailment rather than the source of the ailment. Although this form of therapy has found success in the recent past, but a holistic treatment of many remedies has not yet been found. An understanding of the Seven Chakras assists us in finding the solution for many ailments which plague the society today; primary amongst them being Stress. We shall discuss the aspect of the Crown Chakra, or the Sahasrara. The Sahasrara is of supreme relevance to the body. In many illustration of the Crown Chakra, it is shown as a purple or white colored thousand petal Lotus of holy effulgence, able to rotate at a tremendous speed and is attributed with the quality that it makes the human body communicate to the universe through the spiritual medium. It is the life source through which the life energy flows to the lower six chakras in the body. It is located on top of the head.
In the words of swami Vyas Dev, and illustrated in the Vedas, “The purpose of the Crown Chakra is intuitive knowledge, relation to one`s spirituality and integration of the human being with the source of creation.” The Crown Chakra is known to arise spirituality as well as develops the senses of living in the present. The under-activity of the Crown Chakra causes depression, diseases of the muscular system, skeletal system and the skin, chronic exhaustion that is not associated with physical ailments and sensitivity to light, sound and the environment. The Crown Chakra controls the top centre of the head. The pineal glad in the human body is controlled by the Crown Chakra. The exercise to activate the Crown Chakra is prayer and meditation. It is suggested that a clean environment with free flowing air is the best place to activate the crown chakra. Sweet smells of flowers, when inhaled through the nostrils assists in the activation. The method to activate the chakra involves putting the hand in front of the stomach, fingers pointing up in the Namsakara mode. Chanting the sound of Om and concentrating on the top part of the head. A word of caution though is that one should practice the activation of this Chakra only when one is sure of the root chakras and their stability.
When we compare this to the existing means of stress relief, we find that most current forms have used part of this technique or its derivatives. Social scientists and new age gurus always stress on the availability of a clean and airy location to practice their exercises. The low sound of music and the rhythmic beats are also subscribed to in most current teachings. The sweet smelling flowers and fragrances that are soothing are also advised by most people teaching stress relief. Rhythmic breathing is also advised which is akin to the chanting the Om. When we relate this to the ancient teachings, it is clearly evident that the present teachings are a sub product of the past; altered to suite the present social conditions and honed to good marketing skills. Nothing wrong, but it might be prudent to put things in perspective and practice the unadulterated and pure teachings. Also, it is essential to understand the logic behind the activity. This aspect is woefully missing in current teachings and also current learning. We have become used to instant solutions to our long lasting ailments. Popping a pill is the solution most of us resort in times of crisis. We indulge in a practice fraught with risks and danger. We need to refrain.
© 2008 Six Senses Yoga Society
Chakras: A Comparative Study
Chakras: A Comparative Study
by Roshni Khanna
Chakras have been described in a number of ways through the ages. What is interesting is its description made in Wikipedia.org where a separate page has been devoted to the concept and different interpretations of the Chakra model have been made. A short summary of the various models that have been used to describe the concept of chakras, primarily sourced form the Wikipedia might put things in perspective. It makes interesting reading if you devote time to each, but a primer like this might help those uninitiated to the topic.
Chakras is a Sanskrit word meaning circle or a wheel. Theories related to the Chakra fit within the system that links the body and the mind into a single unit. A number of models have been used to describe the concept of Chakras in their own unique manner, albeit addressing the same core concept.
Chakrology is a neologism or a new invention to old concepts that describes the concept of Chakra in a new light. It describes the Chakras through a number of Chakralogies and the interface that exists between the mind and the body is exemplified via a subtle system. It is believed in Chakralogy that no Chakra is supreme and each has a unique role to play. The Hindu model on the other hand has seen changes over the ages and some ancient Hindu Text claims the existence of 8 chakras and some stress on the existence of 5. A model that subscribed to 6 to 7 chakras has gained favor primarily due to the concept’s acceptance in Yoga teaching. The tantric model describes the Chakra in the energy creation paradigm, deriving its source from the creator of the universe or the Brahma. It stresses that the Chakras have to be awakened and the path to awakening is also the path to permanent happiness. The Buddhist Tantric model describes the Chakra, especially the Heart Chakra to be supreme and the source of all happiness.
The imbalance in the heart Chakra is said to be the source of all unhappiness in the body and the soul. The Bon model considers the Chakras and the Pranic center of the human body. It describes six chakras and attributes the experience of all realms of existence to the corresponding Chakra. It subscribes to the thought process that Yoga opens the Chakras and is the path to ultimate happiness. The Chinese model describes the existence of Chakras as the circulation of the qi energy. It believes in the philosophy that energy circulates in and around the body and the chakras are the store houses of the energy while it rests.
The interpretation is different, but the core meaning is the same. It is upon us to understand and practice what we find best.
© 2008 Six Senses Yoga Society
Chakras: The Essence of well being
Chakras: The Essence of well being
by Roshni Khanna
DO you believe that you are a conscious being? What shall happen when you lose the conscious of the physical being?
As more Eastern philosophies emerge in the mainstream of the West, these philosophies affect the normal living styles of people, we tend to gravitate to systems and practices which are holistic in nature and also provide us solutions that are lasting and effective. A holistic solution to many of the modern day crises involving health and body related issues is often found in ancient Indian literature which has been preserved over the ages in the form of teachings of Gurus, Vedas and sculptures on temples and monuments. The study of the human anatomy and the relationship between the physical being and its emotional equivalence has long been studied as part of Indian literature. The teachings and findings guide us to the concept of Chakras.
The word Chakra means a wheel and derives its origin from Sanskrit; the language which is considered the mother of most modern day languages by historians today. Historians agree that the early Indus Civilization settlers might have used this language thousands of years ago. According to ancient Yogic teachings, the body thrives on a delicate balance between the physical entity and the emotive being. The Chakras hold the key to this balance. Chakras are the fulcrum on which the physical and the emotional being of a human life hinge.
The Chakras are the equivalent of the Energy Vortexes. In the human body they form the seven energy concentrations on which the human consciousness and energy system is constructed. They act as controlling inlets and the outlets of energy from and into the human body. They regulate the flow of energy inside, through and out of the body. The state of the Chakras reflects how a human body responds to situations occurring in its stimuli range. They reflect the emotional state of a human being. They regulate the flow of the energy through the human body based on the feelings, thoughts and sentiments of the current state of the human mind. They directly mirror the physical wellbeing of a human body based on its emotional state. Thus they act as the delicate hinge between the physical self and the emotional one.
The issue in focus here is to analyze the reason as to why it is important to understand about the human Chakras and why is increasingly attention in Yogic studies being diverted to it?
The Chakras or the energy vortexes are the junctions which interact with the human body through the endocrine system and the nervous system. Each Chakra is associated with one of the seven endocrine glands present in the human body and also with a group of nerves called the plexus. Thus each of the Chakras control the physical function associated with the corresponding endocrine gland and in turn governs the emotional signals generated and transmitted through the plexus nerves associated with the Chakras. The state of awareness of the human body, its consciousness levels, its being alive is all associated with a particular Chakra.
A small example to illustrate this is that a cure to chronic tonsillitis can be through encouraging a person to express what they keep inside. Clearing up unresolved issues and points of miscommunication can often lead to a healthy thyroid gland. This is associated to the Vishuddha, the 5th Chakra. The focus of this Chakra is found in the hollow of the throat opposite the 7th cervical vertebra. The organs directly affected are the thyroid, the larynx, the neck, the salivary glands and the neck. The emotional issues related to the Vishuddha are the feeling of receptivity, capacity of faith, devotion and creativity. It also has a direct bearing on the feeling of vulnerability and that of the ability to nurture love.
The stiff neck syndrome can easily be resolved if we encourage unhindered and easy flow of communication, thoughts and feelings between people. The human body responds positively to such a flow of unhindered energy and the emotional self reacts by experiencing a feeling of happiness. The moot point to take note of here is that the physical discomfort can be eased through mental and emotional processes.
Chakras hold the key to the release points in the human body. In case a person feels tense, it is an indication that the Chakra associated with the tension producing glands is active and methods to stimulate the same shall ease the tension in the body. This is a beginning of a series of articles which shall introduce the audience to what the seven the Chakras in the human body are and also take them through a journey of self awareness and indicate a few efficient and simple methods to activate the Chakras in the body. The aim is to live happy and share it with people around us. This is possible only if we are happy and satisfied with our surroundings. This in turn is possible when our body responds to the mind signals.
Chakras hold the key to this blissful existence. An understanding of the Chakras will go a long way in making our life more in synchronization with the energy within and the nature which is around us.
© 2008 Six Senses Yoga Society
Asana for the Invigoration of the Chakra
Chakras - the spinning wheel that symbolizes the energy which emanates due to its motion, is the epitome in human understanding of the body and mind. Its understanding is the key to a blissful life, full of energy. A person who can invigorate the Chakras within himself or herself can achieve which mere mortals cannot. The road to this bliss and peace, achieved when the Chakras in a human are incensed, is not easy. Ancient Indian text in the form of Vedas and writing attributable to saints and sages vouch that immortality of the soul as well as permanent inflexion of the human body with the Universal source of all energy is achievable through the invigoration of the Chakras within the human body.
In today’s literature, available to Western audiences, there is recurrence of the term “Universal Spirit”, mythology as well as to moral principles. In order to explain these terms to a reader of today’s generation, it is necessary to explain this in terms of physical well being, gains to the bodily existence as well as to some extent to the concentration level in the mind. While it is necessary for all forms of learning to be adaptable to the generation of the fore and future, any shortcuts to the understanding of the concept of Chakra will be nothing short of perilous. To derive simile without adequate forethought can lead to inadvertent conclusions. The concept of Chakra and its implications requires deep understanding. While it is encouraged to initiate an early learning on the subject, for any student serious enough to begin, a guru or teacher who is uninitiated tends to mislead the concept citing means available for physical development where mental development is required. In a recent conference, I experienced one such recitation where a therapy using Yoga Asana was being prescribed to develop the invigoration of a chakra. The aim was to cure a particular malady. What stuck me as strange was the fact that the presenter was describing a set of asana and claiming that by regularly practicing the set, it was possible to generate enough energy to develop the Chakra in question! This is the new generation preaching for you!!! Asana alone cannot develop the chakras and neither will the practice of a particular set of exercises lead to the desired affect. To invigorate the Chakra, the disciple of the art has to focus the mind and body together. Preachers of the art of doing yoga and presenters presenting the concept of the Chakra often tend to miss this important point.
The development of Chakra in its true sense is possible only after the disciple of the practice is able to bind or join the attention or the will attribute within herself to the will and energy of the universal energy source. It is upto the person’s faith to agree upon the source of the universal energy. It is possible only when the disciplining of the intellect, the mind, the emotions, the will in order to able to look at life in all its aspects evenly. This is the moot point which we need to explain to the audiences today. Chakra invigoration is not about a set of exercises; it is all about bringing the balance to the body and mind. Its about understanding what the mind needs to tell the body and how the body is required to respond through its actions. The Chakras are the link between the human emotions and its bodily affects. The imbalance of the two can lead to an energy imbalance and this in turn can also be attributable to the scores of maladies which affect the human body.
A number of present day maladies are overtly or covertly due to stress and strain on the human body owing to the fast pace of life. The tensions and stress levels most working people experience at work and afterward can be attributes to the lack of a release system or state. This can - and is - causing long term affects to the human body. The increased number of chronic ailments, stress related deaths, pace of aging of the human body - all point to the same issue. Are we able to cope with the changing environment around us? Are we in a balanced state? Where will this imbalance lead us to? What will the long term affects of this malady be on the human body? Modern science is grappling with these questions and no satisfactory answer exists in modern medical literature. Popping pills is not a long term solution and modern day medicine has also come around to accept the same fact. We are looking at a world wide problem which can burgeon into an epidemic. The problem of stress is looming large on the psyche of the human mind today. Yoga and perhaps the holistic understanding of the Chakra system is an answer to this problem. It is believed that a problem is half solved when the source of the problem is found. The system of Chakras is an established system which associates the human body’s physical attributes to its mental health. The understanding of the chakra system is an essential step towards attaining good health of the human body. Understanding it holistically is of essence.
Chakra and its understanding is of vital essence to living a healthy life. This statement requires little assertion. What require assertion though is the fact that the Holistic understanding of the concept of Chakra is of paramount importance. Its understanding can go a long way in alleviating the ills of the human body.
Anahata Chakra
This Chakra is located in heart, Lord Shiva rules this Chakra, Lord Shiva is Known as Destructor (GOD).
There are 12 Petals; this place is very pleasant place. When a soul enters into Anahat Padma , Anahat Nada starts playing and we could here the unstroke music. This Chakra is also known as Pinaki.
Who ever meditates this Chakra, Angels (Apsara in Hindu) are ready to serve them, here Yam Air element is present. And also this person never gets any sorrow and is very happy always, All wishes come true here in this Chakra. The heart chakra is the seat of balance within the body. There is no longer any concern with attachments to worldly pleasures, honors or humiliations.
Anahata chakra has twelve vermillion petals. The Yantra in the centre of the chakra is composed of two overlapping, intersecting triangles. One triangle, facing upward symbolizes Shiva, the male principle. The other triangle, facing downward, symbolizes Shakti, the female principle. A balance is attained when these two forces are joined in harmony.
The seed mantra is Yam and the vital breath is Prana.
The presiding deity is Ishana Rudra Shiva. He has a camphor-blue skin, he is two-armed,wears a tiger skin. He holds the trident in his right hand and a damaru drum in his left.
The holy Ganga (river Ganges) flowing from his hairlocks is a cooling and purifying stream of self-knowledge: the knowledge that “I am That”. The snakes coiled around his body are the passions, which he has tamed.
His energy is Kakini Shakti, her skin is rose-colored. Her sari is sky-blue and she is seated upon a pink lotus.
Element: Air
Shape: Hexagram
Plane: Balance
Sense: Touch
Sense Organ: Skin
Work Organ: Hands
Name: Unstruck
Location: The Heart
In her four hands Kakini Shakti holds the implements necessary for one to attain balance: The sword provides the means to cut through obstacles blocking the upward energy flow. The shield protects the aspirant from external worldly conditions. The skull indicates detachment from a false identification with the body. The trident symbolizes the balance of the three forces of
Preservation, creation and destruction. Sound: Yang
Number of petals: 12
It is in the heart chakra that Kundalini Shakti appears for the first time as a beautiful goddess.
She sits in lotus posture within a triangle.
The triangle is pointing upward, showing the tendency of Shakti to move upward and carry the aspirant into the higher planes of existence.
Behind Kundalini Shakti stands a lingam in which Rudra Shiva appears as Sadashiva (sada : “eternal”, shiva : “benefactor").
He is Shabda Brahma, or the eternal Logos.
The chakra’s associated animal is the black antelope or gazelle, symbolizing the lightness of physical substance.
Vessel for New Life II
Vessel for Life Continues. . . You are Pregnant
Neck Rolls
Pretend there is a beam of white light coming out of the top of your head and as you revolve your head you create a circle of white light around you. Your neck will make many sounds if you roll slowly and continuously, a cacophony of stories - some the freeing of energy and some the cracking of tension released. Calcium deposits and gases, and nerves, muscles, and ligaments, blood and bones are being pleasurably massaged all over. We have to start at the neck, for being women we hold lots of inhibitory trips in our throats - little girls don’t shout so million of screams are held in our throats and our necks hold much (formerly) unconscious tension which it is necessary to encounter at the beginning of yoga practice.
Balance is vital for yoga, so if you roll your neck seven times to the left balance that with equal revolutions to the right. And do this very slowly, even slower, smoother with the spirit of dance. No callisthenic consciousness. You are in grace and therefore truly graceful. Your breath is natural and relaxed - feel the relaxation spread down to your shoulders like a cape. Your arms hang freely and they too are limp with relaxation. Feel your breath travel down to your finger tips. When you wear no armour at your neck, the kundalini raised by your yoga practice will pass freely up your spine to the top of your head.
This is realization of your inherent progesterone bliss.
Folding to Squat
Gently come to a stop and balance your head directly over your axis. Begin inspiration through your nose and carefully, slowly drop your head by allowing your neck muscles to let go and continue dropping your head while exhaling through your mouth, lips loose and relaxed. Feel your spine, vertebra by vertebra, following the lead of your head down toward your feet while you exhale deeply (as deeply as you previously inhaled until your hands, then your palms touch the ground. Your arms up to this moment have been dangling freely. Now you will use your arms to support your body and rest here on all focus, weight equally distributed between your hands and feet while you let your uterus hand loose. Bend your knee to avoid placing any stress on the back on your knees. Now you are inhaling deeply through your nose, and when you have finished, begin to lower yourself, in to a squat by bending your knees.
End up in a squat knees in your armpits, legs open as you are open. Feet as parallel as possible.
Squat Passive
Feel the life flow, for this posture is a bio genetic one - the natural grooving position. Soon your hands and feet will be warm to the touch, warm with the flow of energy. Focus on your heartbeat and allow blood to permeate all your tissue. Imagine blood now carries oxygen to your baby and that you have a window in your womb and see pulsing placenta nourish and sustain, blood bringing life to baby .. a totally together universe manifested in the space of your uterus.
Squatting is the natural posture of rest and composure. People all over the world squat easily and women all over the world have babies easily and painlessly. Western pregnant women tend to sit in chairs, often with legs crossed, thus strengthening sets of ligaments that are an opposite of an open pelvis. If you must sit in chairs, draw your legs up in the half lotus posture of hatha yoga or “tailor style” or comfortably up higher than your hips with your pelvic floor open. Sitting in a chair with your legs crossed is psychologically the posture of “closed” ladies and to have a baby, one must be an open woman.
Now place your thumbs ever so lightly on either side of the bridge of your nose. Slowly apply pressure by bringing your thumbs toward one another. This open ups your sixth chakra, and if you extend your fingers somewhat like antennae, you will stimulate the 72,00 nadis - sort of the nerve network of your aura (some call it soul others call it an elector-magnetic field) that surrounds and complements and corresponds with the nervous system of your physical bodies. This mudra reportedly relieves headaches sometimes by allowing tears to flow. Place your palms over your eyes wide open so that you see darkness - heels of hands placed on cheekbones, fingers holding forehead. Rest your eyes, the muscles around your eyes. This is a mudra that can be integrated into the yoga of living daily, between chapters of books upon awakening (especially good for unravelling dreams).
Dreams: stories with secrets essentially for you to discover. As the hormone of pregnancy, progesterone, alters your consciousness, so do your dreams take on new levels of meaning. Dream about having your baby-women dream all situations for their upcoming childbirth experience, giving birth magically, realistically in colour and naturally giving birth to kittens, chimpanzees, avatars, our mothers, monsters, and a loaf of French bread all buttered and sliced. Listen to your dreams, dance them, paint them, play with them, finish them, live them - then go on to bigger things.
You have been squatting for a long time now. Good. Don’t bend over anymore, squat instead - another yoga of daily living benefit. Squat when you take a shit.
Adjust your spine with great respect and tenderness for the central Mt. Meru of your being. Trust your head to your hands and twist carefully. Probably you will release more tension in the form of crackling sounds. Exhale and relax as you turn your head.
This is a point of transition. The next posture is a standing posture. Rise from the squat in slow movements, the reversed folding to squat with coordinated breath i.e. inhaling with the beginning unfolding movement, then exhaling at the all-fours-dangling uterus movement. The inhalation as you stack each vertebra, one-by-one by your spinal column movement is a good solid transitional movement. However, you can make up your own - something that makes you feel centered and ready for the next posture.
to be continued…
Read Part I
7 aspects to Chakra Yoga Asanas
Each chakra has corresponding asanas, pranyamas, mudras and meditation practices that are particularly effective in stimulating the energy of that chakra. Even though each program consists of different practices, they all partake of the same form. The programs for each are composed of seven steps to be followed in followed in order for balance and good health.
Step 1: Preparation
Start with 5 minute period of relaxation of body and mind. Step back from your daily life and free your mind of extraneous thoughts. Now you are ready for a brief warm-up.
Step 2, 3 & 4: Asanas
After the preparation calm three asanas of your choice that influence the flow of prana and stimulate the targeted chakra are practiced.
Step 5: Pranayama
Next is pranayama to bring life energy that has been generated through the practice of the asanas to the chakra you are working on.
Step 6: Meditation
In chakra-yoga meditation, we use a combination of special mudras and mantras that correspond to each chakra.
Step 7: Relaxation
The last aspect consists of deep relaxation of body, thoughts and feelings. Visualize the energy flow in to the chakra you are working on, and see how it harmonizes and heals all of the areas that are governed by this chakra.
Neoterra
Good Fairy
Indian Life n Living
Festivals
Virtually all regions of India have their distinctive places of pilgrimage, local saints and folk heroes, religious festivals, and associated fairs. There are also innumerable festivals associated with individual villages or temples or with specific castes and cults.
The most popular of the religious festivals celebrated over the greater part of India are Vasantpanchami (generally in February, the exact date determined by the Hindu lunar calendar), in honour of Sarasvati, the goddess of learning; Holi (February-March), a time when traditional hierarchical relationships are forgotten and celebrants throw coloured water and powder at one another; Dussehra (September-October), when the story of the Ramayana is reenacted; and Diwali (Divali; October-November), a time for lighting lamps and exchanging gifts. The major secular holidays are Independence Day (August 15) and Republic Day (January 26).
Family & Kinship
For almost all Indians the family is the most important social unit. There is a strong preference for extended families, consisting of two or more married couples (often of more than a single generation), who share finances and a common kitchen. Marriage is virtually universal, divorce rare, and virtually every marriage produces children. Almost all marriages are arranged by family elders on the basis of caste, degree of consanguinity, economic status, education (if any), and astrology. A bride traditionally moves to her husband’s house. However, nonarranged “love marriages” are increasingly common in cities.
Within families, there is a clear order of social precedence and influence based on gender, age, and, in the case of a woman, the number of her male children. The senior male of the household “whether father, grandfather, or uncle” typically is the recognized family head, and his wife is the person who regulates the tasks assigned to female family members. Males enjoy higher status than females; boys are often pampered while girls are relatively neglected. This is reflected in significantly different rates of mortality and morbidity between the sexes, allegedly (though reliable statistics are lacking) in occasional female infanticide, and increasingly in the abortion of female fetuses following prenatal gender testing. This pattern of preference is largely connected to the institution of dowry, since the family’s obligation to provide a suitable dowry to the bride’s new family represents a major financial liability.
Traditionally, women were expected to treat their husbands as if they were gods, and obedience of wives to husbands has remained a strong social norm. This expectation of devotion may follow a husband to the grave; within some caste groups, widows are not allowed to remarry even if they are bereaved at a young age.
Hindu marriage has traditionally been viewed as the “gift of a maiden” (kanyadan) from the bride’s father to the household of the groom. This gift is also accompanied by a dowry, which generally consists of items suitable to start a young couple in married life. In some cases, however, dowries demanded by grooms and their families have become quite extravagant, and some families appear to regard them as means of enrichment. There are instances, a few of which have been highly publicized, wherein young brides have been treated abusively even tortured and murdered in an effort to extract more wealth from the bride’s father. The “dowry deaths” of such young women have contributed to a reaction against the dowry in some modern urban families.
A Muslim marriage is considered to be a contractual relationship contracted by the bride’s father or guardian and, though there are often dowries, there is formal reciprocity, in which the groom promises a mahr, a commitment to provide his bride with wealth in her lifetime.
Beyond the family the most important unit is the caste. Within a village all members of a single caste recognize a fictive kinship relation and a sense of mutual obligation, but ideas of fictive kinship extend also to the village as a whole. Thus, for example, a woman who marries and goes to another village never ceases to be regarded as a daughter of her village. If she is badly treated in her husband’s village, it may become a matter of collective concern for her natal village, not merely for those of her own caste.
Indian Fabrics
Fabrics
Clothing for most Indians is also quite simple and typically untailored. Men (especially in rural areas) frequently wear little more than a broadcloth dhoti, worn as a loose skirtlike loincloth, or, in parts of the south and east, the tighter wraparound lungi. In both cases the body remains bare above the waist, except in cooler weather, when a shawl also may be worn, or in hot weather, when the head may be protected by a turban. The more-affluent and higher-caste men are likely to wear a tailored shirt, increasingly of Western style. Muslims, Sikhs, and urban dwellers generally are more inclined to wear tailored clothing, including various types of trousers, jackets, and vests.
Although throughout most of India women wear saris and short blouses, the way in which a sari is wrapped varies greatly from one region to another. In Punjab, as well as among older female students and many city dwellers, the characteristic dress is the shalwar-kamiz, a combination of pajama-like trousers and a long-tailed shirt (saris being reserved for special occasions). Billowing ankle-length skirts and blouses are the typical female dress of Rajasthan and parts of Gujarat. Most rural Indians, especially females, do not wear shoes and, when footwear is necessary, prefer sandals.
The modes of dress of tribal Indians are exceedingly varied and can be, as among certain Naga groups, quite ornate. Throughout India, however, Western dress is increasingly in vogue, especially among urban and educated males, and Western-style school uniforms are worn by both sexes in many schools, even in rural India.
Carnatic Music
Carnatic Music
It is the classical music of Southern India. The basic form is a monophonic song with improvised variations. There are 72 basic scales on the octave, and a rich variety of melodic motion. Both melodic and rhythmic structures are varied and compelling. This is one of the world’s oldest & richest musical traditions.
Carnatic music (also spelled Karnatak music or Karnatik music, and originally called karṇāṭaka sangītam in India) is known as one of the two styles of Indian classical music, the other being Hindustani music. Its classical tradition is from the southern part of the Indian subcontinent, and its area roughly corresponds to the four modern states of South India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu.
The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gāyaki). Like Hindustani music, Carnatic music rests on two main elements: rāga, the modes or melodic formulæ, and tāḷa, the rhythmic cycles.
Carnatic music is practised and presented today by musicians in concerts or recordings, either vocally or through instruments. Carnatic music itself developed around musical works or compositions of phenomenal composers .
Carnatic music is at a crossroads on the issue of aesthetic diversity, especially as its international reputation increases. It is already true that some of the most successful performers in worldly terms are able to make a living by touring the West, and not by representing Carnatic music in its most pure form. Of course there is a very real sense in which an art form must develop and adjust in order to make the same impact on its audience, and Carnatic music knows this fact better than most.
It has incorporated the Western violin, and moved to a modern concert setting, complete with amplification. Instrumental innovations continue with the amplified veena and mandolin, as well as the Western saxophone and clarinet. Carnatic music has easily maintained its own identity, not least of which because it is a reservoir of musical ideas and expressions, not specific combination of sonorities.
An incredible sense of resiliency has characterized Carnatic music since the 19th century, and so one can hardly doubt that it will continue to find that strength today and in the future.
One of the two styles in Indian Classical music is the Carnatic music, which is also known as karṇāṭaka sangītam. The various epigraphical inscriptional proofs and other ancient works show that the history of classical musical traditions can be followed back about 2500 years.
Carnatic music is entirely melodious, with improvised modifications. The main area of accent is vocal music; mainly compositions are written so that they are sung, and even when played on instruments, they are supposed to be presented in a singing style that is also referred to as gāyaki. The two main elements of Carnatic music are rāga, the modes or melodic formulæ, and tāḷa, the rhythmic cycles
Origins and History
Purandara Dasa - The Father of Carnatic Music
Like other forms in the Indian culture, Carnatic Music is too believed to have a divine advent- it is believed to have begin from the Gods. Anyway, it is also mostly agreed that the natural origins of music were a significant factor in the progression of Carnatic music.
The Vedas are widely acknowledged as the main reasonable origin of Indian music. The Sama Veda is said to have set the base for Indian music, and contains chiefly of hymns of Rigveda, set to musical tunes which would be sung using three to seven musical notes during Vedic sacrifices.The Yajur-Veda, which mainly contains formulae pertaining to sacrifice, mentions the veena as an accompaniment to vocal recitations during the sacrifices.
In the archaic religious texts references have been made to the Indian classical music, including long narrative poems like the Ramayana and Mahabharata. The Yajnavalkya Smriti mentions “Veena vadhana tathvangna sruti, jathi, visartha talanjaaprayasena moksha margam niyachathi” ("The one who is well versed in veena, one who has the knowledge of srutis and one who is adept in tala, attains salvation without doubt.") Carnatic music is on the foudnation of music concepts mentioned in Bharata’s Natya Shastra. The Natya Shastra mentions several musical ideas (including swara and tala) that continue to be pertinent to Carnatic music today.
Some scholars are of view that the Carnatic music shares certain classical music concepts with ancient Tamil music. The concept of Pann is related to Ragas used in Carnatic music. The rhythmic meters found in several musical forms (such as the Tiruppugazh) and other ancient literature, resemble the talas that are in use today.
Nature of Carnatic Music
Today many musicians train and present Carnatic music in concerts or recordings, either vocally or via instruments. Carnatic music itself matured around musical works or compositions of phenomenal composers.
Compositions
A Carnatic composition consists of two elements, one being the musical element, the other being what is conveyed in the composition.
There are many types/forms of compositions. Geethams and Swarajatis (which have their own unique composition structures) are primarily meant to fill the tole of basic learning exercises, and while there are many other types/forms of compositions (including Padam, Javali and Thillana), the most common forms are the Varnam, and most importantly, the Kriti (or Keerthanam), which are discussed below.
Varnam
This is a special item which stresses everything significant about a raga; not just the scale, but also which notes to accent, how to turn to a certain note, classical and characteristic phrases, etc. Though there are a few different types of varnams, in essence, they all have a pallavi, an anupallavi, muktayi swaras, a charana, and chittaswaras. They are sung in multiple speeds, and are very good for practice. In concerts, varnams are often sung at the beginning as they are fast and grab the audience’s attention.
Kriti
Carnatic songs (kritis) are varied in structure and style, but mostly consist of three units:
1. Pallavi. This is the correspondent of a refrain in Western music. One or two lines.
2. Anupallavi. The second verse. Also two lines.
3. Charana. The final (and longest) verse that wraps up the song. The Charanam usually borrows patterns from the Anupallavi. There can be multiple charanas.
This kind of song is called a keerthanam or a Kriti. There are other possible structures for a Kriti, which may in addition include swara passages named chittaswara. Chittaswara consists only of notes, and has no words. Still others, have a verse at the end of the charana, called the madhyamak?la. It is sung immediately after the charana, but at double speed.
Important Elements of Carnatic Music
Śruti
Śruti usually applies to musical pitch.It is the approximate equivalent of a tonic (or less precisely a key) in Western music; it is the note from which all the others are drawn from. It is also used in the sense of graded pitches in an octave.
Swara
Swara refers to a type of musical sound that is a single note, which defines a relative (higher or lower) position of a note, rather than a defined frequency. Swaras also refer to the solfege of Carnatic music, which consist of seven notes, “sa-ri-ga-ma-pa-da-ni” (compare with the Hindustani sargam: sa-re-ga-ma-pa-dha-ni or Western do-re-mi-fa-so-la-ti).
Raga System
A raga in Carnatic music prescribes a set of rules for building a melody - very similar to the Western concept of mode.It clearly describes rules for movements up (aarohanam) and down (avarohanam), the scale of which notes should figure more and which notes should be used more sparingly, which notes may be sung with gamaka, which phrases should be used, phrases should be avoided, and so on.
Tala System
Tala refers to the beat set for a particular composition (a measure of time). Tala is formed with three basic parts (called angas) which are laghu, dhrtam, and anudhrtam, though complex talas may have other parts like plutam, guru and kaakapaadam. There are seven basic tala groups which can be formed from the laghu, dhrtam, and anudhrtam:
* Dhruva tala
* Matya tala
* Rupaka tala
* Jhampa tala
* Triputa tala
* Ata tala
* Eka tala
Improvisation
There are four main types of improvisation in Carnatic music.
Raga Alapana
This is the exposition of the ragam of the song that will be performed. A performer will explore the ragam first by singing lower octaves then moving up to higher ones and touching various aspects of the ragam while giving a hint of the song to be performed. It is a slow improvisation with no rhythm.
Niraval
This is usually performed by the more advanced concert artists and consists of singing one or two lines of a song repeatedly, but with improvised elaborations.
Kalpanaswaram
The most fundamental type of improvisation, usually instructed before any other form of improvisation. It consists of singing a pattern of notes which ends on the beat and the note just before the beat and the note on which the song starts. The swara pattern should adhere to the original raga’s swara pattern, which is called as aarohanam-avarohanam.
Thanam
This form of improvisation was originally developed for the veena and consists of expanding the raga with syllables like tha, nam, thom, aa, nom, na, etc
Ragam Thanam Pallavi
This is a combined form of improvisation. As the name hints, it contains of Raga Alapana, Thanam, and a pallavi line. The pallavi line is sung twice, and Niraval follows. After Niraval, the pallavi line is sung again, twice in normal speed, then sung once at half the speed, then twice at regular speed, then four times at twice the speed. Kalpanaswarams follow.
Indian Culture
Culture
The culture of India has been shaped by the long history of India, its unique geography and the absorption of customs, traditions and ideas from some of its neighbors as well as by preserving its ancient heritages, from the Indus Valley Civilization onward. India’s great diversity of cultural practices, languages, customs, and traditions are examples of this unique co-mingling over the past five millennea. India is also the birth place of several religious systems such as Hinduism, Jainism, Buddhism, and Sikhism, some of which have had a great influence also in other parts of the world.
From the thirteenth century onwards, following the Islamic conquests and the subsequent European colonizations, the culture of India was influenced by Turkish, Persian, Arabic and some European (notably, British) cultures. The various religions and traditions of India that were created by these amalgamations have influenced South East Asia and some other parts of the world.
Language
The great number of languages in India have added to the diverse cultures and traditions at both regional and national levels. 216 languages are spoken by a group of more than 10,000 people; however there are many others which are spoken by fewer than 10,000 people. All together, there are 415 living languages in India. The Constitution of India has stipulated the usage of Hindi and English to be the two official languages of communication for the Union Government. Individual states’ own internal communications are usually in the state’s language or English.
The two major linguistic families in India are those of the Indo-Aryan languages and those of the Dravidian languages, the former being largely confined to northern, western, central and eastern India and the latter to southern India. The next largest language family in India is the Austro-Asiatic language group, which contains the Munda languages of central and eastern India, the Khasian languages of northeastern India, and the Nicobarese languages of the Nicobar Islands. The fourth largest language family in India is the Tibeto-Burman languages, which are themselves a subgroup of the larger Sino-Tibetan language family.
Indian Architecture

Indian Architecture
Indian architecture encompasses a wide variety of geographically and historically spread structures, and was transformed by the long history of the entire South Asian subcontinent. The result is an evolving range of architectural production that, in spite of the difficulty to identify it with any single representative style, nonetheless, retains a certain amount of continuity across history. The diversity of Indian culture is represented in its architecture. Indian architecture comprises a blend of ancient and varied native traditions, with building types, forms and technologies from West, Central Asia, and Europe.
Studies of ‘Indian’ architecture normally begin with the ancient Indus Valley Civilization that flourished in modern Pakistan and western region of present Republic of India, moving through the late Vedic period, the Maurya-Gupta age of Buddhist monuments, monasteries and Indian rock-cut architecture, followed by the great temple-building of the medieval era. Turk and Afghan rulers in the north, during medieval times brought with them West Asian traditions of the arch, the dome and the vault.
The rise of the Mughal Empire in the 16th century established a sophisticated synthesis of Indian regional elements with ideas from Persia and West Asia, a style that was adopted across the subcontinent even by post-Mughal rulers and recognised today as Mughal architecture. The subsequent European colonization of India paved the way for the entry of styles from that continent, including Mannerist, Baroque, Neo-Classical and Neo-Gothic styles, which were followed in the late 19th century by the hybrid Indo-European style called the Indo-Saracenic.
Indian architecture has influenced the surrounding regions of the world, especially eastern Asia, due to the spread of ideas with Buddhism. A number of Indian architectural features such as the stupa (temple mound), sikhara (temple spire), pagoda (temple tower), torana (and temple gate), have become famous symbols of Hindu-Budhist culture, used extensively in East Asia and South East Asia. The variant gopuram (southern temple gate) is noted for its intricacy and majesty. The arch, a cornerstone of world architecture, was first developed by the Indus Valley civilization, and would later be a staple of Indian architecture.
Indian style Hindu and Buddhist temples were constructed abroad in ancient times, with especially noteworthy uses of this style in Cambodia’s Angkor Wat, and Java’s Prambanan. Even today the country is literally dotted with hundreds and thousands of monuments of various ages,some are in well preserved state and some are not so.There is a realisation in the country that it is a treasure, with a long historical path. Some of the agencies involved in this work are ASI,INTACH, conservation faculties in universities such as the School of Planning and Architecture -Center for Conservation Studies etc.
As far as the more modern structures from Islamic to British colonial periods - many of them are still in use and that is what gives the urban setting in Indian cities a unique historical touch.
Indian Performing Arts
Music and Dance
The Natya Shastra, is a Sanskrit book that was written on music and drama during the second century that laid out the structure of music and dance.
Two classical types of music, Karnataka (southern Indian) and Hindustani (northern Indian) have been influenced by bhakti (devotional) traditions that had been introduced after the fifth century. The Hindustani style was also influenced by Muslims who invaded India from the north. The Muslims Influenced the Hindustani instruments, styles and schools of performance.
Dance has an important role in India as a part of worship, a pastime and as a part of Sanskrit dramas. Classical dance can be found in many different forms; manipuri, kathak, bharata natyam and kathakali. The kathak style started in northern India and with over a hundred ankle bells on, it’s emphasis is on rhythmic footwork. Manipuri, which began in Manipur, uses graceful turning and swaying in its dances. Faces made up to look like masks, along with the use of mime are the characteristics of kathakali dance. Bharata natyam (based on the Natya Shastra) is probably the most noteworthy dance form. This is the style that comes to mind when Indian dance is mentioned. It has graceful hand gestures, exacting movements and facial expressions, each one having its own meaning.
Theatre and Film
Theater (drama) has been around in India for over a thousand years. The Sanskrit drama blossomed during the Gupta Era (AD 320-550) and the plays from that era are generally secular. One of the dramas that survived was Sakuntala, by Kalidasa, which is about courtesans, kings and the court. Theater is popular in Calcutta, but is struggling since the arrival of television and movies.
More films come out of India than any other country and written with a formula that is expanded on with music and dancing. The themes fluctuate from social to historical and religious and the plots are rarely realistic. There are also Indian imitations of Western films.
Dance in India
Dance in India has its origins in antiquity and continues in both classical and modern styles into the present. The presentation of Indian dance styles in film, Bollywood has exposed the range of dance in India to a global audience.
Classical Dance
India offers a number of classical Indian dance forms, each of which can be traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people. The eight main styles are[citation needed] Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Manipuri, Sattriya and Kathakali. Besides, there are several forms of Indian folk dances such as Bhangra, and special dances observed in regional festivals.
Most Indian dance is based on the treatise Natyashastra by the sage Bharata Muni, which explains the Indian art of acting. Acting or natya is a broad concept which encompasses both drama and dance.
BharatnatyamIndian classical dance is a misnomer, and actually refers to Natya, the sacred Hindu musical theatre styles. Its theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight “dance” forms:
1. Bharatanatyam
2. Kathak
3. Kathakali
4. Kuchipudi
5. Manipuri
6. Mohiniaattam
7. Odissi
8. Sattriya
Folk Dance
Indian folk and tribal dances are simple dances, and are performed to express joy.
Folk and tribal dances are performed for every possible occasion, to celebrate the arrival of seasons, birth of a child, a wedding and festivals. The dances are extremely simple with minimum of steps or movement. The dances burst with verve and vitality. Men and women perform some dances exclusively, while in some performances men and women dance together. On most occasions, the dancers sing themselves, while being accompanied by artists on the instruments.
Each form of dance has a specific costume. Most costumes are flamboyant with extensive jewels.
While there are numerous folk and tribal dances, they are constantly improved. The skill and the imagination of the dances influence the performance.A good example is the Haka.
Bollywood Dance
Dance in early Bollywood films, was primarily modelled on classical Indian dance styles and particularly those of historic northern Indian courtesans (tawaif), or folk dances. Modern films often blend this earlier style with Western dance styles (MTV or in Broadway musicals), though it is not unusual to see Western pop and pure classical dance numbers side by side in the same film. The hero or heroine will often perform with a troupe of supporting dancers. Many song-and-dance routines in Indian films feature unrealistically instantaneous shifts of location and/or changes of costume between verses of a song. If the hero and heroine dance and sing a pas de deux (a French ballet term, meaning “dance of two") often staged in beautiful natural surroundings or architecturally grand settings, referred to as a “picturisation”.
Bollywood films have always used what are now called “item numbers”. A physically attractive female character (the “item girl"), often completely unrelated to the main cast and plot of the film, performs a catchy song and dance number in the film. In older films, the “item number” may be performed by a courtesan (tawaif) dancing for a rich client or as part of a cabaret show. The dancer Helen was famous for her cabaret numbers. In modern films, item numbers may be inserted as discotheque sequences, dancing at celebrations, or as stage shows.
Bollywood producers now release music videos, usually featuring a song from the film. However, some promotional videos feature a song which is not included in the movie.
Cuisine of India
Introduction of Indian Cuisine
The Cuisine of India is characterized by its sophisticated and subtle use of many spices and herbs. Considered by some to be one of the world’s most diverse cuisines, each family of this cuisine is characterized by a wide assortment of dishes and cooking techniques. Though a significant portion of Indian food is vegetarian, many traditional Indian dishes also include chicken, goat, lamb, fish, and other meats. Beef is not eaten by most Hindus, while ham and pork are not consumed by Muslims.
Food is an important part of Indian culture, playing a role in everyday life as well as in festivals. In many families, everyday meals are usually sit-down affairs consisting of two to three main course dishes, varied accompaniments such as chutneys and pickles, carbohydrate staples such as rice and roti (bread), as well as desserts.
Diversity is a defining feature of India’s geography, culture, and food. Indian cuisine varies from region to region, reflecting the varied demographics of the ethnically diverse subcontinent. Generally, Indian cuisine can be split into four categories: North Indian, South Indian, East Indian, and West Indian. Despite this diversity, some unifying threads emerge in the art of Indian cuisine. Varied uses of spices are an integral part of food preparation, and are used to enhance the flavour of a dish and create unique flavours and aromas. Cuisine across India has also been influenced by various cultural groups that entered India throughout history, from regions as diverse as West Asia, Central Asia and Europe.
Dinning Etiquette
Several customs are associated with the manner of food consumption. Traditionally, meals are eaten while seated either on the floor or on very low stools or cushions. Food is most often eaten without cutlery, using instead the fingers of the right hand. However, these traditional ways of dining are being influenced by eating styles from other parts of the world.
Traditional serving styles vary from region to region in India. A universal aspect of presentation is the thali, a large plate with samplings of different regional dishes accompanied by raita, breads such as naan, puri, or roti, and rice. In South India, a cleaned banana leaf is often placed under the food as decoration and as a hygienic and portable alternative to plates.
Dermatology in Ayurveda
Dermatology in Ayurveda
by Dr. B. Hari Kumar
Skin (Twacha in Sanskrit) according to ayurveda is one among the sense organs, and the seat of the sensation of touch. The sensation of touch is considered as the special sense of “Vayu” - the air element. The logic in this as for ayurveda is that the air could be better perceived through touch. (Earth, water, fire, air and space are considered the 5 elements in ayurveda constituting the universe and the human body in their physical form. The special senses for each are Smell, Taste, Vision, Touch and Hearing respectively.)
More over this air element together with space element constitute the humour responsible for movement, control and coordination, “The Vatha dosha”. This concepts gives further impetus to the skin and its role as the sense organ of touch in treating muscular, skeletal and Neurological impairments.
The formation of skin - is from Blood tissue says Ashtanga Hridaya an ayurvedic classic written around 600AD. “The skin is formed from the metabolism of blood, like a creamy layer forms on top of milk when you cook it”. Thus Skin disorders are often considered as due to Blood impurities.
When skin falls similar to blood, the dosha (humoural) predominance of Blood is also to be considered. Blood is considered the seat of Pitha( constituted by Fire element - the principal metabolic factor).The redness of blood is actually the fiery part (the red blood cells, the Hemoglobin) while the fluid part and the white parts (Plasma, WBC) are predominantly Kapha (constituted by the earth water elements, the Nutritional and stabilizing factor).
The ayurvedic classics describe the skin as having 7 layers. Their names are: Avabhasini, Lohitha, Swetha, Thamra, Rohini, Vedhini, and Mamsadhara. Their important functions, thickness etc. are also explained.
Management of Neurodermatitis in ayurveda
Neurodermatitis a chronic inflammatory condition characterized by the scratch-itch cycle is one of the important hurdles for Dermatology. It is often precipitated by rubbing of clothes, or any such external body on the skin, followed by scratching and itching. This condition fall under the category of Skin diseases named- Kushta, in ayurvedic terminology.
The important management principle of this disorder is repeated purifications, (Panchakarma) Virechana- Purgation being most important. Nasya- the nasal cleansing, Vamana-emesis and Vasthi the enema are also advised whenever required. Once the heavily imbalanced doshas are purified, the further follow up is the use of decoctions, herbal teas and other herbal supplements to maintain a proper balance.
Charaka samhitha the ayurvedic classic mentions a group of herbs named “Kushtaghna"- curing kushta- dermatological disorders, as well as one called “Kandughna"- reducing itching(anti pruritic ).
Important herbs Curative of Dermatologic disorders:
1. Khadira- Acasia catechu - bark
2. Haridra- Curcuma Longa - root
3. Aragwadha- cassia fistula - skin
4. Arushkara - Semicarpus anacardium - purified seed
Important herbs curatives of Itching:
1. Chandana- Sandalum album- bark
2. Nalada - Nelumium indicum- stem
3. Aragwadha-cassia Fistula - bark
4. Nimba -Azadiracta indica - whole parts
Apart from this Detoxification is also an important step in some conditions where Toxins are the precipitating factors.
Detoxifying herbs include:
1. Haridra - Curcuma Longa
2. Manjishta - Rubea cordifolia
3. Sireesha - Albezia Lebbok
4. Sindhuvara - Vitex Negundo
Topical applications - mostly using Coconut oil as the base with combinations of herbs are useful in certain conditions to stop itching and thus to break the scratch-itch cycle.
This is often helpful for removing dryness naturally.
As Stress is an important causative factor and stress further makes it worse treatments like Thakradhara- the medicated buttermilk stream on the forehead and Thila dhara- streaming of medicated oil on the forehead are often helpful with the use of adaptogenic supplements like Aswagandha (withania somnifera) and Jatamansi (Nordostochis Jatamansi ).
A proper rehabilitation, emotional support and Faith as well as devotion are also important aspects of managing the ayurvedic way.
Kushta - the group of skin problems are having Karmic reasons (spiritual causes) according to ayurveda. Hence pilgrimages, worships, sacrifices, social work or philanthropy etc are considered equally important in healing it. Thus these good old methods of treating Kushta consider the whole person in the right perspective, and such an approach may help finding a path to tackle Neurodermatitis as well.
The above management of Neurodermatitis has been giving us a certain amount of success in Kerala, in clinical practice. These approaches may be integrated to mainstream medicine as well.
Dr Hari is a medical superintendent at KNM NSS ayurveda hospital Vallamkulam NSS Ayurveda hospital Aranmula Kerala,India.
http://www.doctorhari.com
© 2008 Six Senses Yoga Society
Mandala for Sun n Universe
Mandala for Sun by Nicole
My Mandala is about getting to the sun. Starting from the outside there are waves then the bottom of the ocean. Then hills that are yellow because they are magical. When you step on them the hills fall down but then they come back up and wait for the next person. Under the hills is mud that sinks when you step in it. Under the mud is knifes all of them standing up straight so it pokes you till you so you can’t get through. Under the knifes are baby worms when you step on them they turn into evil gigantic worms that bite you. The star symbolizes the universe then under that is the sun that is suppose to burn you and make you blind. Under that is blood that eats you up then safety in the middle.
Source: LHRC
Mandala for the Universe by Stephanie
My Mandala is guarding the Universe, which is in the center of the Mandala. The first layer has green snakes that are the guards. The next layer is the sun with its heat. The third layer has knives, which is part of the protection. I made the temple a big flower that in the inside has the Universe. Mandalas are usually made of sand, but in this case it was in color pencil.
Source: LHRC
Sitkari - Teeth Hissing
Sitkari - Teeth Hissing
Sitkari pertains to the sound made by drawing air in through the front teeth-either tightly closed or slightly opened-with the tongue tip regulating the air pressure and sound. This technique pertains only to inhaling, except that exhaling normally takes place through both nostrils, after a usual full pause.
One Round of Sitkari (Teeth Hissing)
- The sides of the tongue is pressed against the teeth, lining the sides of the mouth, if they are closed tightly, or expanding between the upper and lower; sets, if the jaw is opened slightly. .
- The sound, a kind of reversed hissing, like that made when one suddenly touches ice or a hot object or feels a draft of hot or frigid air, should be regulated so as to be smooth and to sound pleasant. The experience has been described as “sipping air.” .
- Lips should close at the end of inhalation, preparatory to holding the full pause with chin lock. Closure of the lips ends the hissing sound, si, with a “sip.”.
Benefits of Sitkari
This technique usually cools the mouth and may have both a cooling and a relaxing effect upon the whole body.
Source: Holistic Online
Q n R, June 2008
Yoga Queries
Q 1. What’s the etiquette for yoga classes?
R. Please arrive at least ten minutes early to find a space, set up your mat with mindful quiet, and begin to compose yourself. Let the facilitator know if you have any injuries or other issues that might affect your practice or for which you want modifications of regular asanas. Hatha yoga is about personal practice leaving you to monitor how your body is feeling and to refrain from automatically doing the most challenging version of an asana. Try to eat about 2 to 3 hours prior to class. Traditionally yoga is done on an empty stomach. Additionally, please refrain from wearing perfume or cologne. Observe proper personal hygiene. Turn cell phones off, remove your gum, take shoes and socks off, and leave socializing outside the studio so the peace of the practice remains intact. If you arrive late to class, please enter quietly, centre yourself for 2 minutes before beginning where the class is and likewise, if you must leave early please do so before the final relaxation asana.
There is a section on yamas and niyamas for yoga class on our website view it here
Q2: Do I need to purchase a sticky mat for better hatha yoga practice?
R: You can practice Yoga on nearly any type of surface. You will experience different results on a non-slippery surface. If you practice on the floor, a non-skid, lightly padded surface helps comfort to the joints and body. The sticky mat is non-skid, minimizing slippage and padded and is the most popular choice among mats. It also helps in you work around a designated space on the floor. Another advantage of the yoga mat is that it memorizes your place on the mat so that, an imprint is left briefly on the mat, helping you return to that location in repeating asanas.
Q3: Do I need special clothes to practice hatha yoga?
R: The only suggestion of clothing is to feel comfortable and unbinding in your clothes to enjoy hatha yoga. You will be able to make the most out of yoga if you will be able to move freely.
Q4:How could I do yoga if I can’t even touch my toes?
R. Yoga is very popular among the health conscious because of its many benefits, people with less flexibility are those who can reap the most dramatic rewards in terms of ease of movement, lessening or eradication of chronic pain, and improvement in overall well-being. Yoga facilitators are trained to offer modifications for almost every yoga asana, making the practice accessible and safe for all levels.
Q5. I’m out of shape and in pain, should I go for a yoga class?
R. This is up to how accepting you are of your present physical situation. If you are one who absolutely has to do what everyone else is doing, you might over challenge and possibly hurt yourself. You probably won’t be able to do some of the more strenuous asanas, but there are many modifications you can make so that you get benefits without injury. Practicing gentle or restorative yoga can also help you become more comfortable with your body, which often lets people release the unhealthy patterns that have led them to become overweight or less fit or restore body after an accident. If you have an acute condition such as uncontrolled high blood pressure, severe osteoporosis, or herniated disks, it’s important to find a yoga facilitator who is trained in these areas before beginning yoga.
Q6: What should I feel during practicing Yoga?
R: There are no set feelings in yoga, you will feel what you feel. Seems a simple answer, though each person brings to yoga their own history, experiences, flexibility and body’s. Feelings, emotions are held in the body and while we open/close joints, and stretch, shorten and move muscles feelings they are released. Yoga is a personal practice and the more you practice for yourself, the more you will be comfortable with this release.
Physically what may be a good stretch or twists for one person may be very painful for another. In asanas, we want to feel like we are working through flexibility, which can sometimes mean a mild to strong discomfort. Each person has specific thresholds and boundaries for tension while avoiding pain. Hatha Yoga is about your own levels and moving past them.
Akarna-Dhanura-Asana
Translation: The Sanskrit word karna means ear and the prefix “a” means near to or towards. Dhanur means bow-shaped, curved or bent. The “bow” here referred to is a bow as in “bow and arrow.” Literally we could translate this as the near-the-ear bow posture but because of the obvious appearance of the posture we’ll call it the shooting bow,
The shooting bow asana (akarna dhanura asana) Instruction
1. Sit down on the floor with your legs extended straight out in front of you and hold them together. Straighten your back, head and shoulder level. Put your hands on your thighs flat and deeply inhale.
2. Exhale and bend down and loop the forefinger of the right hand around the big toe of the right foot and grasp the left foot with the left hand.
3. Inhale and bring towards yourself pull the right foot back placing the big toe next to the right ear. Straighten the back as much s possible and hold the posture for the duration of the inhale breath.
4. Exhale and return to the seated position of step #1 then repeat the posture on the opposite side.
Comments
Imagine yourself to be an archer by focusing your gaze on a target while performing this asana and focus on the arrow gracefully and steadily being pulled back in the bow. Hold the asana as firmly as an archer would grip an arrow aimed at its target. Return the foot to the floor gently. This simple technique will help nurture focused and strong attention.
Duration/Repetition
Hold this posture minimum of 30 seconds and extend up to several minutes. Repeat at least twice with each leg.
Satya n Samtosha
YAMA - Satya
Satya
Satya is referred to as “not lying” or “truth”. Carrying out satya means that one is truthful in their feelings, words, actions and thoughts. It intends to being truthful not only with ourselves but with others too.
You might have come across a situation where a student fakes to be doing a good backend whereas he is feeling stiffed hips and only pretends that he is practicing nicely, this is falsehood. It is referred to be tending to lie because a part of their body is not really practicing that pose at all. So, you teach your students to do a fair self-appraisal always and tell them not to work beyond their level for which they don’t need to be sorry. Embody the value in them that a pose is too precious to be obtained at the price of ahimsa and satya.
NIYAMA - Samtosha
Samtosha
Contentment. During an asana class, tell those students who are working excessively hard that it is time to practice samtosha, being content with what they have attained. Encourage them to accept that they may not yet be ready for what they are attempting to do. Remind them that if they can’t get into the deepest version of a pose, it doesn’t mean that their poses are “bad.” Instead, they are simply as good as they can be today, and they will be better tomorrow.
In Light on Yoga (B.K.S. Iyengar, Schocken), you won’t see a single pose in which Iyengar looks tense or upset. If you notice students’ faces contorting and overexerting in a pose, tell them to stop and re-establish a calm breath and the feeling of samtosha. Only then, in that spirit, should they resume the practice of the pose. This quality of contentment leads to mental peace.
Mangala Charn Mantra
Mangala Charn Mantra
AD GURAY NAMEH, JUGAD GURAY NAMEH,
SAT GURAY NAMEH, SIRI GURU DEVAY NAMEH
I bow to the primal Guru (guiding consciousness who takes us to God-Realization), I bow to wisdom through the ages, I bow to True Wisdom, I bow to the great, unseen wisdom.”
It is chanted for protection. It surrounds the magnetic field with protective light.
Peace Mantra
Peace Mantra
OM SAHANA VAVATU SAHANA BHUNATTU
SAHA VIRYAM KARAWAVAHAI
TEJASVINAVADITAMASTU
MA VIDVISHAVAHAI
OM SHANTI SHANTI SHANTI OM
Together may be be protected
Together may we be nourished
Together may we work with great energy
May our journey together be brilliant and effective
May there be no bad feelings between us
Peace, peace, peace
(From the Kato Upanishad)
Ahimsa n Saucha
Featured Yama - Ahimsa
In traditional form, Ahimsa refers to “do not hurt or kill people”. It can be thus inferred from it that we should refrain from having a feelings, thoughts, actions or words pertaining to violence. The fundamental meaning of it is to preserve sympathy for yourself and others. It intends to being good hearted and dealing everything with care.
We often get to see in class that in many cases students push themselves pretty hard when they should pull back, fight when they should give up, push their bodies through when they are not yet ready for doing things. When such instances are witnesses it the best time to raise the topic of ahimsa and elucidate to them that by being violent to their body implies that they are no more paying attention to it. Violence and awareness can not exist side by side. We don’t emotionally sense when we are pushing through. In an opposite manner, when we feel things we can not force. The development of feeling and awareness in the body is one of the chief purposes of Yoga, where violence produces opposite results.
Featured Niyama - Saucha (Cleanliness)
The most common translation of saucha is “cleanliness.” But saucha, at its root, is concerned with keeping different energies distinct. Saucha ensures and protects the sanctity of the energy around us. We can teach saucha through focusing on the grossest physical concerns (such as asking students to come to class without strong body odours and to wipe off sweat-drenched mats) as well as more subtle energetic issues.
There are several ways to incorporate the teachings of saucha. The first is to teach students put away their mats, props, and blankets in an orderly manner, with all the edges aligned, so that no one else will have to arrange them. This practice will help students cultivate an awareness of their surroundings.
Tell your students to be mindful of other students’ mats and to refrain from stepping on them as they cross the room to get props or go to the wall. Not only is this a hygienic practice, it also teaches the importance of keeping the energy of their own practice distinct from the energy of others. In asana practice, the mat represents the world-the way we treat our mat reflects the way we treat our world. As we teach our students to handle their mats with care, we are helping them learn the essence of respect for all things.
Tell your students that when they sit in straight lines or circles, the energies around them flow in an orderly fashion, and this keeps the energy of the room clean. If the mats are not arranged in an orderly way, one student’s energy interferes with the energy of another. When students are positioned neatly, a synergistic effect takes place-the effect of one student’s work and energy helps the rest of the class do the pose. Likewise, the energy of the collective group helps each individual do the pose.
Chanting Om or leading similar chants at the beginning of class creates a separation between the outward focus of the normal day and the inward focus of the yoga practice. Chanting Om again at the end of class seals the energy of the practice before moving back out into the world. Such a separation of energies is, once again, saucha.
This article is excerpted from a book called Living the Yamas and Niyamas, by Aadil Palkhivala.
Vessel for New life
Wonderful to be Pregnant
The circle continues to revolve, the river continues to flow, the natural cycle of life, death and re-birth is unfolding. Your baby will come through you and not for you. Your participation in life’s oldest ritual will be totally conscious and yet you will retain non-attachment, the flow. You are creatively expressing yourself in how you are pregnant. Being pregnant is not for your childbirth experience. Being pregnant is living here and now, this moment. Childbirth is just another moment you will transcend. Yoga is a practice - yours if you wish to allow you delight in being alive right now.
Now focus on your breath. Inspire - let go - inspire - let go a circle - you describe with your breath ‘prana’ primal life force - when you exhale, let go off all the tension in your body -pretend there is a faucet in your navel and all your tension flows out of this faucet. Breathe rhythmically, evenly, as slow as relaxed as you can. Fell the breath in all living things (ever listen to a plant breathe?). Listen to your own breathe (ajapna mantram) -listen as you read for a while. Breath is as vital as nutrient as vegetables you have grown yourselves. Oxygen feeds your baby, allows your largest muscle, your uterus, to grow. And prana nourishes your two souls.
And so we begin
Find a space for yourself - uninterrupted by the snaring traps life sometimes creates to entrap us. You are creating your own myth right now, living your karmic script and programs. One hour each day of free space, in warmth (preferably in the sun and fresh air), and a quite place is needed for prenatal yoga. This yoga is truly a dance and you would like to explore several levels, so make sure your environment is comfortable for squatting, standing, kneeling on hands and knees, and/or laying down flaked out. If you have response-abilities that make one hour daily too much to devote to prenatal yoga, rewrite your adventure to allow this one hour to being present, mind and body united.
Find a place of power for you: a place in your garden where you feel especially centred and good, or in your living room. Be gentle with yourself. Each moment of prenatal yoga holds wisdom for you if you will allow yourself to relax and not judge progress. Focus on how you feel rather than how you look. Delight in yourself in meditative movement and the dance you are creating. The transition movements are as important as asanas (postures) and are entirely your own: make them graceful, flowing, meaningful --- your own ritual.
Stand tall feeling your tail bone being drawn to the centre of the Earth by gravity, to the origin of the Kundalini power within you. Simultaneously feel the top of your head being drawn upwards and expanding in all directions. Rock back and forth slowly, feeling the line off gravity and the precise instant of the change over from one leg to another. This will help you locate your center. Pretend your legs are roots of a mighty tree and are firmly grounding you to mother Earth. Again, return to your centre, (which changes as the Earth revolves, star rises and the pregnancy progesses) and activate your centre. For a moment feel your boundaries as an organism, feel your skin breathe and notice how you confine yourself. Slow yourself down - be aware of your mind chattering and let thoughts go away as you exhale all tension from your being. When you feel calm, begin with the first asanas..
to be continued…
Q n R, May 2008
Yoga Queries
Q1. What does Hatha mean?
R. The word Hatha means willful or forceful. Hatha Yoga refers to a set of physical exercises (known as asanas or postures), and sequences of asanas (known as vinyasas), designed to align your skin, muscles, and bones. The asanas are also designed to open the many channels of the body especially the main channel, the spine so that energy can flow freely.
Hatha is also translated as ha meaning “sun” and tha meaning “moon.” This refers to the balance of masculine aspects “active, hot, sun” and feminine aspects “receptive, cool, moon” within all of us. Hatha Yoga is a path toward creating balance and uniting opposites. In our physical bodies we develop a balance of strength and flexibility. We also learn to balance our effort and surrender in each asana.
Hatha Yoga is a powerful tool for self-transformation. It asks us to bring our attention to our breath, which helps us to still the fluctuations of the mind and be more present in the unfolding of each moment.
Q2. How to select a style of Yoga and get started?
R. Most of the Yoga practiced in the West is Hatha Yoga. The term Hatha Yoga is a little confusing in that many call it a style in the west. Hatha Yoga is really combining breath, mindfulness and body.
If you are brand new to Yoga, you may want to take a few Hatha classes to learn the basic asanas. However, The style of Hatha Yoga is interpreted as slower, more methodical and for all, so if you are the kind of person who likes to move around more, Hatha may not be for you. Find a beginner’s class from the most popular kinds of Hatha Yoga. Even if you are already in great shape, take a few beginners’ classes to learn the asanas as Yoga is a different system. nd while there are many great Yoga books and videos available, there is no substitute from learning directly from a good teacher in a Yoga class. I encourage you to find a class and let books and videos are a supplement.
Q3. How many times per week should Yoga be practised?
R. Yoga is amazing even if you only practice for one hour a week; you will experience the benefits of the practice. If you can do more than that, you will certainly experience more benefits. I suggest starting with two or three times a week, for an hour or an hour and a half each time. If you can only do 20 minutes per session, that’s fine too. Don’t let time constraints or unrealistic goals be an obstacle do what you can and don’t worry about it. You will likely find that after awhile your desire to practice expands naturally and you will find yourself doing more and more.
The idea of the classes is to help develop a daily personal practice. The classes give you the building blocks and energy to move forwards.
Q4. What are the benefits of Yoga?
R. There are many benefits of practicing Yoga; here are ten to name a few:
1. You’ll feel more relaxed and learn to stay relaxed.
2. Your overall muscle tone improves as well as alignment.
3. You’ll add vitality to your spine, improving all systems of the body, especially the glands and nerves.
4. Digestion improves; gas and bloating lessens.
5. Your lungs expand, increasing oxygen intake.
6. You’ll sleep better.
7. You’ll be less tired during the day with higher energy.
8. Your immune system will strengthen.
9. You’ll learn to set aside time for yourself.
10. You’ll learn to trust yourself more.
Q5. How is Yoga different from stretching or other kinds of fitness?
R. Unlike stretching or fitness, Hatha Yoga is more than just physical asanas. Patanjali’s eight-fold path illustrates how the physical practice is just one aspect of Hatha Yoga. Even within the physical practice, Yoga is unique because we connect the movement of the body and the fluctuations of the mind to the rhythm of our breath. Connecting the mind, body, and breath enables us to direct our attention inward. Through this process of inward attention, we learn to recognize our habitual thought patterns without labeling them, judging them, or trying to change them. We become more aware of our experiences from moment to moment. The awareness that we cultivate is what makes Hatha Yoga a practice, rather than a task or a goal to be completed. Your body will most likely become much more flexible by doing Hatha Yoga, and so will your mind.
Q6. Why are you supposed to refrain from eating two to three hours before class?
R. In Hatha Yoga practice we twist from side to side, turn upside down, and bend forward and backward. If you have not fully digested your last meal, it will make itself known to you in ways that are not comfortable. If you are a person with a fast-acting digestive system and are afraid you might get hungry or feel weak during yoga class, experiment with a light snack such as yogurt, a few nuts, or juice about 30 minutes to an hour before class.
NIGHT OF NOSFERATU
FAIRYLAND JUBILEE
Trikonasana - The Triangle Asana
Trikona-asana - The Triangle Asana [Pronounced - tri-cone-ah-sa-na]
Translation:The Sanskrit word tri means three and kona means corner or angle. Thus “three corners or three angles” is often called the triangle. This asana is also known as the utthita trikona-asana. Utthita means stretched or extended thus this is the Extended Triangle Asana.
The mountain Asana (tada-asana) Instruction
1. Stand with arms at your sides and feet held together.
2. Gradually disconnect feet more than shoulder surpasses each other.
3. Inhale with palms facing downward and start to rise out both of the arms in straight so that they are parallel to the floor.
4. Breathe out gradually and move the torso to the left. Bend down in such a way that brings the right hand downward to touch to the left ankle. Place the palm of your right hand to the outer side of the left ankle. Make a note that your left arm should be reaching out in upward direction. Hold your arms and legs to be straight and make sure there is no bending of elbows or knees.
5. Look at the finger tips of your left hand while stretching the head upward to the left side. Inhale and then return to an upright position stretching out your arms.
6. Hold on to this posture as long as your breathe out. Exhale and do steps 4-6 for the opposite side.
Comments
It is a good asana to be done in the early routine of yoga. The lifting and bending forward is good for relaxing and stretching the legs, shoulders, arms and back. This also stimulates the blood flow. The stretching of the thigh muscles and calves is also done. Limberness of spinal discs is achieved by the slight curving of the spine. This helps in alleviating any discomforts of the lower back.
The asana can be practiced longer by slowly breathing through the nostrils and not holding on to the breath. An aerobic touch can be added to trikona-asana to variate the performance. A good assistance with carrying out this asana successfully would be to pay attention to every part of the body with aware conducting of breath.
Duration/Repetition
You should stay in the forward bending asana during the time of exhaling. Repeat it 2-3 times, where one repetition consists of bending forward to both sides.
Mandala for Peace n World
Mandala in the World by Oliver
The outside of my Mandala is blue water. The next layer is fire and then there are spines and mountains that you have to climb. The orange layer represents sharks and the green layer has red poisonous snakes. The center represents world peace.
Source: LHRC
Mandala for Peace in World by Anthony
My Mandala symbolizes peace in the world. On the outside, the spikes are for protection. Next the suns and moons show days and nights. The swords are for more protection. The fort is to hide the sacred ocean. You must cross the ocean to get world peace. The peace means world peace.
Source: LHRIC
Bhramari - Nasal Snoring
Bhramari - Nasal Snoring
Bhramari or Nasal Snoring is more difficult than the usual mouth snoring. In Bhramari, the lips are closed and vibrations of the soft palate are cause entirely by nasal airflow unlike the usual mouth snoring. In order to be able to practice Bhramari, you may start by practicing mouth snoring in order to develop some voluntary control over the palate vibration process. Approach control develops gradually.
Bhramari (Nasal Snoring)
- The soft palate must be lifted toward the top of the pharynx sufficiently to produce flutter which may be very hard to control.
- The sound produced is commonly described as similar to the buzzing of a bee. Although, in Bhramari, one breathes both in and out through both nostrils, producing a snoring, buzzing or humming sound in both directions.
- The sound your produce may somewhat be different, inhaling produces a sound with a higher pitch than exhaling which has a lower pitch.
- Bhramari is customarily described to involve rapid inhalation that produces a high humming sound like that of a male bee and slow exhalation that produces a low humming sound like that of a female bee.
Benefits of Bhramari
Bharamri is beneficial to Pregnant Women as preparation for labor.
Source: Holistic Online
Monica Mars
Monster Trucks
Q n R, April 2008
Yoga Queries
Q 1. Can Yoga help in alleviating the feeling of anxiety?
R. A combination of yoga asanas, meditation and pranayama breathing helps considerably to lessen the apprehensive feelings and tension of the anxiety attacks. Through yoga breathing and asanas the body is able to create calm, contentment to lessening an attack that the mind perceives as anxiety. As anxiety is fear based, proper breathing is the key. The breath is the first thing to mind triggers when the anxiety begins; the quickened hyperventilating, often held breath intensifies the anxiety, tenses the body and sends the mind into a full attack of fear.
A regular daily practice of yoga can catch an anxiety attack as it happens, lessen the number of attacks and for some people completely alleviate them, as yoga creates a calm which lessens the fear trigger. You may see results from only a couple classes and a substantial relief within months.
Q 2. Should women practice yoga during menstruation period?
R. Yoga inversions are thought to move against the flow of the menstruation and why it’s thought to practice all other asanas except inversions. Yoga theory suggests that inversions may stop, shorten or meddle with the menstruation flow. Additionally, it is thought that with an energetic breath like the kapalabhati pranayama and abdominal strengthening, intense stomach cramping may result. As each woman is different, we can leave this up to the individual whether they wish to practice a full yoga session or choose a more relaxed on that meets their needs.
Q 3. Can women practice yoga while pregnancy?
R. Pregnancy is not a medical condition; it is a beautiful time of growth and awakening for a woman and her baby within. Yoga is beneficial whether it’s the first class or a continuation of a regular yoga before you can practice all the asanas, if this is a first awareness of yoga you may go with an awareness of how you feel in class. It is a myth that women cannot practice backbends, inversions or twists. Yoga promotes women using their inner wisdom, so as the baby grows, the mum-to-be will notice less movement as she gains weight (but not lack of flexibility) and knows what works best for her. . Practice with a yoga teacher with pregnancy yoga experience optimally.
Q4. Can yoga cure migraines?
R. Migraines are caused by the sudden constriction and then dilation of blood vessels to the brain. Each person will have a different trigger causing the migraine; genetics, stress, allergies, pollution, or a physical injury. Regular practice of Yoga, including asanas, pranayama and meditation can help relieve some of the suffering, more manageable and even release it completely. Asanas help improve blood circulation and also relieve physical tension and stress, which may be a contributing factor to migraines. If it is an allergy triggered, sometimes time and head, neck and eye asanas help to release the pressure that builds.
With the varying triggers of migraines come the varying releases. Some people will work well to practice savasana, the corpse asanas in releasing the migraine. Simple awareness to a specific area of the body and relax that area, allowing the muscles to grow soft and release their holding. Begin at the feet and work your way up through the ankles, calves, knees, thighs, hips, stomach, chest, back, shoulders, neck, face and head. Take a few breaths at each area to explore where the holding may be. Repeat the exercise. A person may want to cover their eyes in savansana.
Others may want to move more, as each person is different experiment with the asanas and breathe to find what works for you. Yoga instructor may have suggestions as well.
Q 5. Does yoga help in getting taller?
R. If you are a fully grown adult, you won’t grow as a result of Yoga. However, a regular Yoga practice will improve your posture, which will have a similar effect. A regular program of asana and pranayama (breathing) will do the trick. If you are young and still growing, regular Yoga practice and a good diet will help you reach your full height.
As we grow older gravity compresses our bodies lessening our height from 1/4” to ½”. . An important point to note down here is that we grow until we are in our late 20’s.
Q 6. Does practicing Yoga require me to follow a vegetarian diet?
R. Although the traditional Yoga diet is vegetarian, you don’t have to be a vegetarian to practice Yoga. It is thought that vegetarianism promotes optimal health alleviating one of disease. In fact, a recent survey showed that only about one out of every three Yoga practitioners was a vegetarian
Soto Zen Reflective Meditation Buddhism Queries
Q 1. Are there any rules for meditation?
R. The practice of formal meditation is to meditate in a quiet room, and work towards maintaining to eat and drink moderately, cut all ties, give up everything, think of neither good nor evil, consider neither right nor wrong. Control mind function, will, consciousness, memory, perception and understanding; you must not strive thus to become Buddha. Cling to neither sitting nor lying down. When meditating, do not wear tight clothing. Rest the left hand in the palm of the right hand with the thumbs touching lightly; sit upright, leaning neither to left nor right, backwards nor forwards. The ears must be in line with the shoulders and the nose in line with the navel; the tongue must be held lightly against the back of the top teeth with the lips and teeth closed. Keep the eyes open, breathe in quickly, settle the body comfortably and breathe out sharply. Sway the body left and right then sit steadily, neither trying to think nor trying not to think; just sitting, with no deliberate thought, is the important aspect of serene reflection meditation.
Q 2. What pose should be adopted to sit for meditation?
R. When sitting, one should take care that one’s spine follows the natural curvature of a healthy spine, as seen in any good medical book, as much as possible. It is very important for a person learning to sit to get this right. What happens with the feet is not important; what happens to one’s spine is of the utmost importance. If the spine is not correct for the individual concerned, stiffness, pain and perhaps even hallucinations may result. The weight of the body is carried easily by the lower back muscles if this position is correct; one does tend, however, to develop something of a bulge in the front, popularly called a “Zazen pot”. This cannot be helped and should not be worried about. It sometimes happens that a person may have had a back injury of some sort during his or her earlier years and this may make sitting with a spine exactly right extraordinarily difficult. You should know that what we are attempting to do is to find the place where a person can sit best so as to have the very best results possible.
Q3. What does Serene Reflection refer to?
R. “Serene reflection” is a translation of two Chinese characters, mo (J: moku) and chao (J: sho). A study of these characters and the levels of meaning within them may be of help to us in understanding more about our practice.
The first character, mo, has an element in it that means black or darkness, making the whole character signify “dark, secret, silent, serene, profound” and also “to close the lips, to become silent”.
The second character, chao, has as element meaning “the brightness of the sun”. The whole character translates as “to reflect light, to shine on, to illume or enlighten”, as well as “to reflect upon, to look upon, to have insight into”.
The whole term thus becomes “serene reflection”, “silent illumination” or “luminescent darkness”. In the very description of our practice we have the “light in darkness” darkness in light spoken of in the works of the great masters of our tradition.
Q 4. What is the best place for meditation?
R. Although meditation can be done everywhere, it is very helpful to have a place set aside in your home for doing formal meditation. In monasteries, the meditation and ceremony halls are decorated carefully and beautifully to help strengthen faith in what they represent the beauty inherent in all existence, the Eternal (Buddha Nature) which is found within ourselves and all things. They are kept neat and clean and treated with great respect. In setting up your own sitting place, you can keep these attitudes in mind; for in doing so, you are encouraged to believe that there is something beautiful within yourself and all things, something that is worthy of care and respect.
Anuloma Viloma - Alternate Nostril
Anuloma Viloma - Alternate Nostril
Anuloma Viloma is also called the Alternate Nostril Breathing Technique. In this Breathing Technique, you inhale through one nostril, retain the breath, and exhale through the other nostril in a ratio of 2:8:4. The left nostril is the path of the Nadi called Ida and the right nostril is the path of the Nadi called Pingala. If you are really healthy, you will breathe predominantly through the Ida nostril about one hour and fifty minutes, then through the Pingala nostril. But in many people, this natural rhythm is disturbed. Anuloma Viloma restores, equalizes and balances the flow of Prana in the body.
One round of Anuloma Viloma is made up of six steps, as shown below. Start by practicing three rounds and build up slowly to twenty rounds, extending the count within the given ratio.
The Vishnu Mudra
In Anuloma Viloma, you adopt the Vishnu Mudra with your right hand to close your nostrils. Tuck your index and middle finger into your nose. Place the thumb by your right nostril and your ring and little fingers by your left.
One Round of Anuloma Viloma (Alternate Nostril Breathing)
- Inhale through the left nostril, closing the right with the thumb, to the count of four.
- Hold the breath, closing both nostrils, to the count of sixteen.
- Exhale through the right nostril, closing the left with the ring and little fingers, to the count of eight.
- Inhale through the right nostril, keeping the left nostril closed with the ring and little fingers, to the count of four.
- Hold the breath, closing both nostrils, to the count of sixteen.
- Exhale through the left nostril, keeping the right closed with the thumb, to the count of eight.
Benefits of Anuloma Viloma
The exercise of the Anuloma Viloma produces optimum function to both sides of the brain: that is optimum creativity and optimum logical verbal activity. This will make both sides of the brain, the left side which is responsible for logical thinking and the right side which is responsible for creative thinking to function properly. This will lead to a balance between a person’s creative and logical thinking. The Yogis consider this to be the best technique to calm the mind and the Nervous System.
Shavasana - The Corpse Asana
Shava-asana - The Corpse Asana [Pronounced - sha-vah-sa-na]
Translation: The Sanskrit word shava means corpse hence this is the Corpse. The shava-asana is also known as the mrta-asana.
The Corpse Asana (Shavasana) Instruction
1. Lie down on your back flat and your legs simultaneous but not in contact placing your arms near to your body with the palms facing upward.
2. Take deep breathes through nostrils at low rate of speed with your eyes softly closed and relaxed facial muscles.
3. Pay attention to all parts of your body. Begin at the head, advancing in the downward direction towards feet with complete awareness of relaxing each body part and then move on to the next.
4. Take 3 to 5 minutes or longer and stay in shava-asana. If drowsiness overcomes you while in shava-asana then start taking deep breathes at fast rate.
Comments
Many might consider this asana to be very simple and easy but once you practice it, it is then you realize its complexity. The main aim of shavasana is to relax the mind and body. Both the mind and body should be put to ease spiritually. Neither move your body nor any brain storming. Attempt to be calm and quiet! As a result you will achieve constant and profound rest, which further stretches in to meditation.
Needless to say that to perfect shavasana will take quite a while. A good help with this asana is found by plain training of concentrating on each body part with conscious direction of the breath.
You might face two common hindrances that will impede you attain full benefits from this asana. These two obstacles are restless mind and sleepiness. If you experience drowsiness in performing shavasana then start taking deep breathes at a faster rate. Try to keep your mind quiet, if not then start to concentrate on your body sensations. Try to bring your mind in accordance with the beat of your breath or the feeling of the floor beneath you.
You should always end your yoga asana regime with practicing shavasana at the end.
Duration/Repetition
Start your yoga asana practice with at the least 2 - 5 minutes of shavasana. Throughout your asana session return to it from time to time to relax and restore the mind and body, with the end of your yoga asana session with a 3-5 minutes of shavasana.

